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Mary Shelley
Winner of the Prize for Independent Scholars from the Modern Language AssociationNotable Book of the Year from The New York Times Daughter of pioneer feminist Mary Wollstonecraft and radical philosopher William Godwin, lover and wife of Percy Bysshe Shelley, author of Frankenstein and creator of the science fiction genre, Mary Shelley has remained a figure both undervalued and enigmatic. In this authoritative, ground-breaking biography, she is finally restored to her rightful stature as one of the major figures in English literary history. Here for the first time is a full account of Mary Shelley's career, significant areas of which have never before been examined: her precocious childhood, her adolescent liaison with the radical poet Shelley, her creation of Frankenstein at the age of nineteen, her tempestuous but brilliant married years with Shelley, and, of particular note, the dramatic second half of her life, after Shelley's death. Emily Sunstein has also discovered previously unknown works written by Mary Shelley and traces the development of her unjustly clouded posthumous reputation.
A Different Face
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Romanticism and the Letter
Romanticism and the Letter is a collection of essays that explore various aspects of letter writing in the Romantic period of British Literature. Although the correspondence of the Romantics constitutes a major literary achievement in its own right, it has received relatively little critical attention. Essays focus on the letters of major poets, including Wordsworth, Byron, Shelley and Keats; novelists and prose writers, including Jane Austen, Leigh Hunt and Charles Lamb; and lesser-known writers such as Melesina Trench and Mary Leadbeater. Moving from theories of letter writing, through the period’s diverse epistolary culture, to essays on individual writers, the collection opens new perspectives for students and scholars of the Romantic period.
Iconoclastic Departures
"Iconoclastic Departures contributes to the ongoing reevaluation of Mary Shelley as a professional author in her own right with a lifelong commitment to the development of her craft. Many of its essays acknowledge the importance of her family to her work - the steady theme of much earlier scholarship - but for them the family has become an imperative socio-psychological context within which to better understand her innovations in the many literary forms she worked with during her career: journals, letters, travelogues, biographies, poems, dramas, tales, and novels." "The book's essays also convey the conviction that even if Mary Shelley, after Percy Shelley's death, gradually retired from pu...
Women's Gothic
Female writers of Gothic were hell-raisers in more than one sense: not only did they specialize in evoking scenes of horror, cruelty, and supernaturalism, but in doing so they exploded the literary conventions of the day, and laid claim to realms of the imagination hitherto reserved for men. They were rewarded with popular success, large profits, and even critical adulation. E. J. Clery's acclaimed study tells the strange but true story of women's Gothic. She identifies contemporary fascination with the operation of the passions and the example of the great tragic actress Sarah Siddons as enabling factors, and then examines in depth the careers of two pioneers of the genre, Clara Reeve and Sophia Lee, its reigning queen, Ann Radcliffe, and the daring experimentalists Joanna Baillie and Charlotte Dacre. The account culminates with Mary Shelley, whose Frankenstein (1818) has attained mythical status. Students and scholars as well as general readers will find Women's Gothic a stimulating introduction to an important literary mode.
Mary Wollstonecraft Shelley
"Recognition of Mary Shelley's systemic dual focus on public and domestic power as the means to interrogate traditional norms and propose alternatives materially alters parochial perceptions of her objectives and her achievements. Her novels, outside of Frankenstein, and recently, The Last Man, have been dismissed as simple, mutual dissociated "romances" or experiments in genre solely to intersect with a market niche; they are neither. Rather, they and all of Mary Shelley's major works voice a cosmopolitan, socio-political reformist ideology that evolved as their author's acute awareness of world events enabled her to calibrate her literary voice to deal with unfolding rather than past socie...
Women, Education, and Agency, 1600–2000
This collection of essays brings together an international roster of contributors to provide historical insight into women’s agency and activism in education throughout from the seventeenth to the twentieth century. Topics discussed range from the strategies adopted by individual women to achieve a personal education and the influence of educated women upon their social environment, to the organized efforts of groups of women to pursue broader feminist goals in an educational context. The collection is designed to recover the variety of the voices of women inhabiting different geographical and social contexts while highlighting commonality and continuity with reference to creativity, achievement, and the management and transgression of structures of gender inequality.
The Poetics of Palliation
The Poetics of Palliation argues that Romanticism developed richer literary therapies than its contemporary reception remembers. By reading Romantic writers against Georgian medical ethics, Poetics recovers their models of literature as comfort and sustenance, challenging a health humanities tradition that sees literary therapy primarily as cure.
Femicidal Fears
Argues that contemporary female Gothic novels of death can, in fact, breathe new life into feminist debates about victimization, essentialism, agency, and the body.
