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At the dingy, overcrowded Acme Garment Factory, Emily Watson stands for eleven hours a day clipping threads from blouses. Every time the boss passes, he shouts at her to snip faster. But if Emily snips too fast, she could ruin the garment and be docked pay. If she works too slowly, she will be fired. She desperately needs this job. Without the four dollars a week it brings, her family will starve. When a reporter arrives, determined to expose the terrible conditions in the factory, Emily finds herself caught between the desperate immigrant girls with whom she works and the hope of change. Then tragedy strikes, and Emily must decide where her loyalties lie. Emily's fictional experiences are interwoven with non-fiction sections describing family life in a slum, the fight to improve social conditions, the plight of working children then and now, and much more. Rarely seen archival photos accompany this story of the past as only Barbara Greenwood can tell it.
With her middle-class upbringing and well-liked demeanor, Emily M. Watson is your typical girl next door. She admits that she used to believe that mental disorders were weaknesses and not real illnesses. However, at eighteen years old, she began to suffer from obsessive compulsive disorder (OCD), as well as depression, anxiety, and bipolar disorder. And so her story begins. Journey through this brutally honest autobiographical account of Watson's struggles of more than ten years. This written telling of her life during her twenties paints a painful yet hopeful journey full of suggestions from someone who has walked the path. Humor shines as an encouraging thread, and misconceptions dwindle as readers relate to Watson's struggles and hopes. This personal memoir is not sugarcoated, providing a valuable peek into the thoughts and life of Watson. Her honesty will lead to a clearer understanding of mental illness for those who battle it and for those who love someone who is suffering. It is a source of new life for the millions of Americans who experience the trauma of mental illness.
In this sequel to her thrillers A Murder 2 Die 4 & A Campaign 2 Die 4 Marcia Slow-Sandler again transports her readers to Sunset Beach Florida, and reconnects with Th e Ladies Th at Lunch. Was the body that was discovered aboard the cruise ship Bahama Majesty the result of an accident or is something more sinister at play? Follow this group of spirited women as they use their intuition and common sense to help solve the mystery in the suspenseful pages of A Cruise 2 Die 4.
A broken engagement prompts Julia Morgan to move to San Francisco in search of a new life. The first letter at her new address is from her Aunt Ada of Pensacola, Florida, pleading for help. She believes there is a conspiracy afoot to deprive her of her antique collection. Out of work and low on funds Julia wonders how to respond. Over the years Aunt Ada has gifted her with a few ancient items. An appraisal proves them to be valuable and a source of funding for a trip to Pensacola. Julia enters the world of antiques expecting boredom. She encounters excitement, danger, and romance.
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Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
The most-trusted film critic in America." --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect." --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year.
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals