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The Abolitionist’s Journal
Over the course of more than twenty years, James D. Richardson and his wife, Lori, retraced the steps of his ancestor, George Richardson (1824–1911), across nine states, uncovering letters, diaries, and more memoirs hidden away Their journey brought them to the brink of the racial divide in America, revealing how his great-great-grandfather Richardson played a role in the Underground Railroad, served as a chaplain to a Black Union regiment in the Civil War, and founded a college in Texas for the formerly enslaved. In narrating this compelling life, The Abolitionist’s Journal explores the weight of the past as well as the pull of one’s ancestral history. The author raises questions about why this fervent commitment to the emancipation of African Americans was nearly forgotten by his family, exploring the racial attitudes in the author’s upbringing and the ingrained racism that still plagues our nation today. As America confronts a generational reckoning on race, these important perspectives add a layer to our larger national story.
To Love, Honor and Obey
After her alcholic and abusive husband leaves her and their three children in 1889, a woman defies societal conventions by embarking upon a career, taking a lover and refusing to bend in the face of personal and professional conflict.
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Statement of Disbursements of the House
Covers receipts and expenditures of appropriations and other funds.
Midcentury Modern Art in Texas
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in ...
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