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Epimodernism
Postmodernism has had its day. Are we now in the era of epimodernism? Reinterpreting the six “memos” that Italo Calvino suggested more than thirty years ago for “the new Millennium”, in this acclaimed book Emmanuel Bouju identifies six new values for literature in the twenty-first century: Superficiality, Secrecy, Energy, Acceleration, Credit, and Follow Through. Based on the principal meanings of the Ancient Greek prefix epi – surface, contact, origin, extension, duration, authority, and finality – these values represent six different ways of relating to the legacy of modernist utopias, reorienting postmodern critique and rebooting, with all due irony, its various forms of engagement and empowerment. Equal parts cultural criticism and literary creation, this highly original essay both enacts and explores the epimodern turn in contemporary European literature. Rigorous and humorous, provocative and playful, Epimodernism helps us to understand what literature can describe, imagine, and invent in our challenging times.
Epimodernism
"After postmodernism's literature of exhaustion, Emmanuel Bouju asks what new life the novel can breathe into the present. Building on Kafka and Calvino, Walter Benjamin and Gilles Deleuze, Bouju ranges freely among a host of contemporary writers, probing their complex revitalization of modernist themes and tropes in 'a new consistency of literary and artistic discontinuity.' At once intense and playful, Epimodernism breathes new life into narrative studies today." -David Damrosch, Ernest Bernbaum Professor of Comparative Literature, Harvard University "'Epi'" - a prefix denoting surface, as well as 'with' and 'among' - is mobilized here in bold and interesting ways for a vocabulary of liter...
The Frankenstein of 1790 and Other Lost Chapters from Revolutionary France
The French Revolution brings to mind violent mobs, the guillotine, and Madame Defarge, but it was also a publishing revolution: more than 1,200 novels were published between 1789 and 1804, when Napoleon declared the Revolution at an end. In this book, Julia V. Douthwaite explores how the works within this enormous corpus announced the new shapes of literature to come and reveals that vestiges of these stories can be found in novels by the likes of Mary Shelley, E. T. A. Hoffmann, Honoré de Balzac, Charles Dickens, Gustave Flaubert, and L. Frank Baum. Deploying political history, archival research, and textual analysis with eye-opening results, Douthwaite focuses on five major events between...
Medievalia et Humanistica, No. 48
Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 48 is a special issue that presents the outcome of an international workshop (“Transnational Aspects of Early Modern Drama”) held (virtually) at Ruhr-Universität Bochum in June 2021. The conference was hosted by Jan Bloemendal, one of the most distinguished scholars in the field. This volume contains six transnational and/or translingual case studies of early modern theatre and four reviews which cover various epochs, genres and discourses.
The Routledge Handbook of Fiction and Belief
The Routledge Handbook of Fiction and Belief offers a fresh reevaluation of the relationship between fiction and belief, surveying key debates and perspectives from a range of disciplines including narrative and cultural studies, science, religion, and politics. This volume draws on global, cutting edge research and theory to investigate the historically variable understandings of fictionality, and allows readers to grasp the role of fictions in our understanding of the world. This interdisciplinary approach provides a thorough introduction to the fundamental themes of: Theoretical and Philosophical Perspectives on Fiction Fiction, Fact, and Science Social Effects and Uses of Fiction Fiction...
Affaires de Famille
What are families like in contemporary France? And what begins to emerge when we consider them from the point of view of recent theoretical perspectives: (faulty) cohesion, (fake) coherence, (carefully planned or subversive) deconstruction, loss (of love, confidence or credibility), or, even (utter) chaos and (alarming) confusion? Which media revamp old stereotypes, generate alternative reinterpretations, and imply more ambiguous answers? ...]Uneasy contradictions and ambiguities emerge in this bilingual collection of approaches and genre studies. The family plot seems to thicken as family ties appear to loosen. Has the family' been lost from sight, or is it being reinvented in our collective imaginary? This book proposes a new series of perspectives and questions on an old and familiar' topic, exploring the state and status of the family in contemporary literature, culture, critical and psychoanalytic theory and sociology.
Ethos and Narrative Interpretation
Ethos and Narrative Interpretation examines the fruitfulness of the concept of ethos for the theory and analysis of literary narrative. The notion of ethos refers to the broadly persuasive effects of the image one may have of a speaker’s psychology, world view, and emotional or ethical stance. How and why do readers attribute an ethos (of, for example, sincerity, reliability, authority, or irony) to literary characters, narrators, and even to authors? Are there particular conditions under which it is more appropriate for interpreters to attribute an ethos to authors, rather than to narrators? In the answer Liesbeth Korthals Altes proposes to such questions, ethos attributions are deeply im...
Forgotten Engagements
This study is the first to examine the contribution made by women writers to politically committed literature in 1930s France. Its purpose is to bring to light the work of female authors of left-wing fiction whose novels are comparable to those of well-known male practitioners of littérature engagée, such as Paul Nizan and Louis Aragon. It analyses the work of Madeleine Pelletier, Simone Téry, Edith Thomas, Henriette Valet and Louise Weiss in the context of the inter-war models of committed literature in relation to which they were produced. Consideration of this body of fictional texts, not previously brought together by literary historians, shows how women were able to relate to fiction and to politics in inter-war France. Situating the novels within their social, historical, literary and political environment, the book contributes to the literary and cultural history of twentieth century France. The analysis of inter-war political writing by women calls into question the criteria against which women’s writing has been evaluated by feminist scholarship.
The Author in Criticism
The Author in Criticism:Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom, and Italy. It considers the external factors that contribute to create recognizable patterns in the readings of Calvino’s texts in different contexts. This volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (...
The Documentary Imagination in Twentieth-century French Literature
Studying works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, this volume re-thinks twentieth-century French literature and engages with the question of distinctions between the factual and the fictional.
