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The Academy
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The Catholic Church and the Dutch Bible
In The Catholic Church and the Bible: From the Council of Trent to the Jansenist Controversy (1564–1733), Els Agten studies the impact of Jansenism and anti–Jansenism on the ideas regarding vernacular Bible reading and Bible production in the Low Countries in the sixteenth and seventeenth centuries. The book provides a review of book censorship during this time. Furthermore, it analyses the ideas and the writings of ten protagonists, including theologians, Bible translators, ecclesiastical authorities and representatives of Port-Royal. In particular, the author demonstrates how, even as their opponents took a more cautious position, the Jansenists encouraged the laity, including women and children, to read the Bible without any restrictions.
The City Rehearsed
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Art Market and Connoisseurship
The question of whether seventeenth-century painters such as Rembrandt and Rubens were exclusively responsible for the paintings later sold under their names has caused many a heated debate. Despite the rise of scholarship on the history of the art market, much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed during this period, which leads to several provocative questions: did contemporary connoisseurs expect masters such as Rembrandt to paint works entirely by their own hand? Who was credited with the ability to assess paintings as genuine? The contributors to this engaging collection—Eric Jan Sluijter, Hans Van Miegroet, and Neil De Marchi, among them—trace these issues through the booming art market of the seventeenth and eighteenth centuries, arriving at fascinating and occasionally unexpected conclusions.
Rubens and the Dominican Church in Antwerp
This book is about the Dominican church in Antwerp (today St Paul’s). It is structured around three works of art, made or procured by Peter Paul Rubens: the Fifteen Mysteries of the Rosary cycle (in situ), Caravaggio’s Rosary Madonna (Vienna) and the Wrath of Christ high altarpiece (Lyon). Within the artist’s lifetime, the church and monastery were completely rebuilt, creating one of the most spectacular sacred spaces in Northern Europe. In this richly illustrated book, Adam Sammut reconceptualises early modern churches as theatres of political economy, advancing an original approach to cultural production in a time of war. Using methodologies at the cutting edge of the humanities, the place of St Paul’s is restored to the crux of Antwerp’s commercial, civic and religious life.
