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Planificar el crecimiento urbano es mucho más que un requisito o un asunto técnico, es un acto de responsabilidad territorial con los habitantes de hoy y del futuro. Dentro de esa planeación, con miras a la construcción y el funcionamiento de ciudades más sostenibles, el transporte es un componente fundamental, sobre todo si tomamos en consideración la agenda global que busca mitigar el cambio climático y controlar sus efectos en diferentes ámbitos. Con el propósito de contribuir a dicha agenda, en este libro se propone una herramienta para la evaluación de la sostenibilidad (actual) y de la capacidad de soporte (futura) de los sistemas de transporte urbanos, con el objetivo de que permita comparar los avances de distintas ciudades, alertar sobre las perspectivas futuras y generar datos relevantes para priorizar actuaciones desde la gestión y la política públicas.
El trabajo de Ana María Mesa constituye sin duda alguna un avance y un aporte de gran valor para la historiografía empresarial, en particular para comprender las transformaciones que experimentó la actividad comercial a raíz del desarrollo del sector externo a mediados del siglo XIX. En efecto, para el desarrollo del comercio al por mayor, que implicaba cubrir mercados cercanos y distantes, fue necesario desarrollar redes comerciales tanto en varias plazas del país como en Londres y Mánchester. El desarrollo de redes internacionales, sus agentes, las formas de pago con oro en polvo y en barras metálicas, así como el mercado en la capital británica, a donde llegó la mayor parte de las remesas de oro y plata, permiten entender el desarrollo del sector exportador y la forma como se vinculó el país con los principales centros mercantiles en el exterior
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
[In this book, the author's] analysis of the effects and causes of capitalist underdevelopment in Latin America present [an] account of ... Latin American history. [The author] shows how foreign companies reaped huge profits through their operations in Latin America. He explains the politics of the Latin American bourgeoisies and their subservience to foreign powers, and how they interacted to create increasingly unequal capitalist societies in Latin America.-Back cover.
Written in three parts, War Trilogy is a dazzling and anarchic exploration of social relations which offers thought-provoking ideas on our perceptions of humanity, history, violence, art and science. The first part follows a writer who travels to the small, uninhabited island of San Simon, where he witnesses events which impel him on a journey across several continents, chasing the phantoms of nameless people devastated by violence. The second book is narrated by Kurt, the fourth astronaut who secretly accompanied Armstrong, Aldrin and Collins on their mythical first voyage to the moon. Now living in Miami, an ageing Kurt revisits the important chapters of his life: from serving in the Vietnam War to his memory of seeing earth from space. In the third part, a woman embarks on a walking tour of the Normandy coast with the goal of re-enacting, step by step, the memory of another trip taken years before. On her journey along the rugged coastline, she comes across a number of locals, but also thousands of refugees newly arrived on Europe's shores, whose stories she follows on the TV in her lodgings.
Universal basic income (UBI) is emerging as one of the most hotly debatedissues in development and social protection policy. But what are thefeatures of UBI? What is it meant to achieve? How do we know, andwhat don’t we know, about its performance? What does it take to implementit in practice? Drawing from global evidence, literature, and survey data, thisvolume provides a framework to elucidate issues and trade-offs in UBI with a viewto help inform choices around its appropriateness and feasibility in different contexts.Specifically, the book examines how UBI differs from or complements othersocial assistance programs in terms of objectives, coverage, incidence, adequacy,incentives, effects on poverty and inequality, financing, political economy, andimplementation. It also reviews past and current country experiences, surveys thefull range of existing policy proposals, provides original results from micro–tax benefitsimulations, and sets out a range of considerations around the analytics andpractice of UBI.
FROM THE WINNERS OF THE 2019 NOBEL PRIZE IN ECONOMICS 'Wonderfully refreshing . . . A must read' Thomas Piketty In this revolutionary book, prize-winning economists Abhijit V. Banerjee and Esther Duflo show how economics, when done right, can help us solve the thorniest social and political problems of our day. From immigration to inequality, slowing growth to accelerating climate change, we have the resources to address the challenges we face but we are so often blinded by ideology. Original, provocative and urgent, Good Economics for Hard Times offers the new thinking that we need. It builds on cutting-edge research in economics - and years of exploring the most effective solutions to alleviate extreme poverty - to make a persuasive case for an intelligent interventionism and a society built on compassion and respect. A much-needed antidote to polarized discourse, this book shines a light to help us appreciate and understand our precariously balanced world.
This book is open access under a CC BY 4.0 license. It constitutes a unique source of knowledge and guidance for all healthcare workers who care for patients with sepsis and septic shock in resource-limited settings. More than eighty percent of the worldwide deaths related to sepsis occur in resource-limited settings in low and middle-income countries. Current international sepsis guidelines cannot be implemented without adaptations towards these settings, mainly because of the difference in local resources and a different spectrum of infectious diseases causing sepsis. This prompted members of the Global Intensive Care working group of the European Society of Intensive Care Medicine (ESICM)...
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.