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History's Place
History's Place explores nostalgia as one of the defining aspects of the relationship between France and North Africa. Dr. Seth Graebner argues that France's most important colony developed a historical consciousness through literature, and that post-colonial writers revised it while retaining its dominant effect.
The Poor Man's Son
A direct response to Albert Camus' call for Algerians to tell the world their story, The Poor Man's Son remains after half a century the definitive map of the Kabyle soul.
Three Plays
The theatre of Roblès, perhaps best known in this country for Montserrat, includes dramatic comedy and farce as well as tragedy, examples of which are included in this first selection in English. Outside thecommunity ofscholars of French studies, Roblès, whose works have not only won a number of literary prizes but have also placed him in the select membership of the Goncourt Academy, is relatively unknown in the English-speaking world. It is safe to say that Roblès's theatre is better known in Iron Curtain countries than in the United States, a lack that this authorized translation of the three representative plays included here seeks to remedy. The tragedy, Case for a Rebel, the drama...
The Crisis
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Alternative Art and Anthropology
While the importance of the relationship between anthropology and contemporary art has long been recognized, the discussion has tended to be among scholars from North America, Europe, and Australia; until now, scholarship and experiences from other regions have been largely absent from mainstream debate. Alternative Art and Anthropology: Global Encounters rectifies this by offering a ground-breaking new approach to the subject. Entirely dedicated to perspectives from Asia, Latin America, and Africa, the book advances our understanding of the connections between anthropology and contemporary art on a global scale. Across ten chapters, a range of anthropologists, artists, and curators from cou...
Pregones Theatre
This is a theatre history, performance studies and U.S. Latino theatre book that examines the artistic, social political contribution of Teatro Pregones to the larger American, Latin American and Puerto Rican theatre communities.
Albert Camus and the Critique of Violence
The temptation to resort to violence runs like a thread through Albert Camus works, and can be viewed as an additional key to understanding his literary productions and philosophical writings. His short life and intellectual attitudes were almost all connected with brutality and cruel circumstance. At the age of one he lost his father, who was killed as a soldier of the French army at the outbreak of the First World War. He passed his childhood and youth in colonial Algeria, no doubt experiencing degrees of inhumanity of that difficult period; and in his first years in conquered France he was editor of an underground newspaper that opposed the Nazi occupation. In the years following the Libe...
Anatole Litvak
During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These f...
Marriage, The Iranian Style
Every time I attended a wedding for a reason, I noticed that despite all prior talks and agreements, the wedding ceremony was again carried out with great difficulty, and the couple endured many troubles to be able to get together. It was not because of not having a home and a lack of income, or due to the legal age for marriage, but the customs of the time, the condition of parental consent and their meddling in their child’s future life, or even the influence of the bride and groom siblings, were the main reasons to lead the simple routine of marriage in a bumpy and misled way, and even prevent it from happening. I’d already written about my cousin in a family context in my diary. After reading it again, I realized what interesting and surprising, and at the same time painful, points there were during their marriage. For this reason, I decided to write about this event, which might be considered as a sample for other marriages, in a separate book in detail, called Marriage, The Iranian Style, so that the unpleasant parts can be reflected on.
