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Waeckerle's piece is a score inteded to be read aloud following instructions, resulting in an impromptu performance. The artist views this simple ritual as a useful remedy for those suffering from a momentary lack of inspiration.
The third volume of The Year, a limited edition yearbook, bringing together text and images from the 2008/9 year of the artist's weekly blog experiment, MOIblog.
Between 2000 and 2003 Waeckerle asked various audiences in London to contribute their own views on the two words HOME and HOLE in blank books stamped with IDEAL HOME, IDEAL HOLE and IDEAL HO E. These postcards display 3 anonymous interpretations or responses to the small blank space between the O and the E of IDEAL HO E.
A series of twelve postcards by Emmanuelle Waeckerle, taken on the top of the Empire State Building. This work is the artist's response to witnessing tourists spend their time at this landmark with their backs turned away from the views, facing inwards to the camera for their family snapshots.
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Using a rigorous language of simple mathematical equations and diagrams the two words Home and Hole are deconstructed and reconstructed into a series of 'truths'. Reconstructed words include 'harmony', 'happiness', 'emptiness', 'obedience' and 'obsession'.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Lagerhaus Rubbings is a book of 42 digital rubbings and an index page, metaphorically cataloguing all the textures Waeckerle encountered during the her artists residency in Neufelden, Austria, using a small paper construction of a hole as a siphon.
An examination of a series of diverse, radical, and experimental international works from the 1950s to the present. What is a literary work? In Literature’s Elsewheres, Annette Gilbert tackles this question by deploying an extended concept of literature, examining a series of diverse, radical, experimental works from the 1950s to the present that occupy the liminal zone between art and literature. These works—by American Artist, Allison Parrish, Natalie Czech, Stephanie Syjuco, Fiona Banner, Elfriede Jelinek, Dan Graham, Robert Barry, George Brecht, and others—represent a pluralized literary practice that imagines a different literature emerging from its elsewheres. Investigating a wor...