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Blood
Love ain't something you just say. Just this word. It's something you do. A twenty-first-century love story. Caneze meets Sully in the college canteen. The heat rises over triple chilli sauce in Nando's. She makes her move in the sweet smoke of a shisha bar. A touchpaper is lit . . . but neither of them bargained on the lengths to which her brother would go to keep them apart. Blood is a heartfelt play by Emteaz Hussain, the writer of Tamasha's Sweet Cider. It received its world premiere in a production by Tamasha Theatre company in March 2015.
Plays for Today By Women
Plays for Today by Women A wide-ranging collection of plays by women dealing with contemporary subjects such as sexual abuse, recession, war, poverty and the complexity of modern women’s lives. Many roles for women and girls provided. Suitable for study or for performance or as part of courses in Women’s Studies or Feminist Theatre Studies. All the plays have been produced and performed in the UK to acclaim and are written by commissioned playwrights. “The expanse of subjects this short collection covers shows that women are not just writing about the kitchen sink, the claim so often levelled. This collection (provides) a snapshot of an exciting time for female writers” @17percent Th...
The Trouble with Asian Men
Macho men or metrosexual guys? Mummy’s boys or blokes under their missus’ thumbs? Self-made entrepreneurs, pukka professionals and successful executives with their Mercedes Benz lives and designer-clad wives; husbands, sons, uncles, brothers and fathers – these successful, soulful and spirited Asian men have come a long way from their origins but they’ve all got roots! The Trouble with Asian Men is a vital, tender and hilarious insight into lives that surround us every day. From the award-winning theatre company that brought us East is East, a revealing verbatim comedy that has played to sell-out houses internationally.
Crisis Theatre and The Living Newspaper
Crisis Theatre and The Living Newspapers traces a history of the living newspaper as a theatre of crisis from Soviet Russia (1910s), through the Federal Theatre Project of the Great Depression in America (1930s), to Augusto Boal's teatro jornal in Brazil (1970s), and its resonance with documentary forms deployed in the final years of apartheid in South Africa (1990s), up until the present day in the UK (2020s). Across this Element, the author is interested in what a transnational and transhistorical examination of the living newspaper through the lens of crisis reveals about the ways in which theatre can intervene in our collective social, economic and political life. By holding these diverse examples together, the author asserts the Living Newspaper as a form of Crisis Theatre.
Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Women
Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Women aims to provide new and exciting audition and showcase material for actresses of black, African American, South Asian and Middle Eastern heritage. Featuring the work of international contemporary playwrights who have written powerful and diverse roles for a range of actors, the collection is edited by Simeilia Hodge-Dallaway. Categorized by age-range, the monologues are collected in groups of characters playable by actresses in their teens, twenties, thirties and forties+, and include work from over 25 top-class dramatists including Sudha Bhuchar, Jackie Sibblies Drury, Marcus Gardley, Mona Mansour and Naomi Wallace. Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Women is the go-to resource for contemporary monologues and speeches for auditions. Ideal for aspiring and professional actresses, it allows performers to enhance their particular strengths and prepare for roles featuring characters of specific ethnic backgrounds.
Blood
Love ain't something you just say. Just this word. It's something you do. A twenty-first-century love story. Caneze meets Sully in the college canteen. The heat rises over triple chilli sauce in Nando's. She makes her move in the sweet smoke of a shisha bar. A touchpaper is lit . . . but neither of them bargained on the lengths to which her brother would go to keep them apart. Blood is a heartfelt play by Emteaz Hussain, the writer of Tamasha's Sweet Cider. It received its world premiere in a production by Tamasha Theatre company in March 2015.
30 Monologues and Duologues for South Asian Actors
Published to celebrate the 30th anniversary year of Kali Theatre this is a brand new book of 30 monologues and duologues spoken by South Asian characters to be performed by actors from a South Asian/dual heritage background in auditions, workshops and acting classes. Drawn from, or adapted from the rich collection of full-length plays by women writers of South Asian descent that Kali Theatre have developed and presented over the past 30 years, this collection is a celebratory, revolutionary and necessary addition for actors and performers. From writers such as Rukhsana Ahmad and Nessah Muthy to new writers commissioned as part of Kali's SOLOS series curated during lock-down, this anthology captures a mix of powerful and original work. This vital collection features a concise history of Kali Theatre's origins and a full list of the plays that Kali Theatre has publicly presented over the past 30 years, making it a celebratory offering from one of the UK's most inspiring theatre companies.
The Good Immigrant
How does it feel to be constantly regarded as a potential threat, strip-searched at every airport? Or be told that, as an actress, the part you're most fitted to play is 'wife of a terrorist'? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go 'home' to India when your home is really London? What is it like to feel you always have to be an ambassador for your race? How does it feel to always tick 'Other'? Bringing together 21 exciting black, Asian and minority ethnic voices emerging in Britain today...
Living Community, Living School
Combines a community-orientated approach to,education which seeks to empower local inner,city communities, with narrative, commentaryanalysis, intervention, and strategy against the,results of the Conservative restoration in state,education, its market system of schooling and the,narrow confines of its 'National Curriculum'. It,also provkes reflection about the true meaning of,'moral education', stripped of the moralising,hypocrisy.
Great Expectations
All my life they looked down on me, always cursing and abusing. But you, you will be different!Bengal, 1903. Rumours that the British Empire plans to partition Bengal spread and uncertainty is never far away. For one Indian boy destiny is found on the banks of the River Padma before the Goddess Lakshmi. Here a promise is made. Born out of terror or kindness the choice Pipli makes that night will shape his life forever.In Tanika Gupta's adaptation of Charles Dickens' Great Expectations, Pipli moves from his home in Rajshahi to the bustling streets of Calcutta. With an open heart he navigates unforgiving darkness and unsettling friendships in his search for a better future. For Pipli, dharma - the right way of living, is never far away.This edition was published to coincide with the production by Tamasha in September, 2023.
