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The Great Exhibition of 1851
"The book challenges the common view that the Exhibition symbolized peace, progress, prosperity, and the emergence of an industrial middle class. Auerbach suggests instead that the Great Exhibition became a cultural battlefield on which proponents of different visions of industrialization, modernization, and internationalism fought for ascendancy in the struggle for a new national identity."--BOOK JACKET.
Official Catalogue of the Great Exhibition of the Works of Industry of All Nations, 1851
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Alphabetical and Classified Index to the Official Catalogue of the Great Exhibition of the Works of Industry of All Nations, 1851
A complete guide to the exhibits, stalls, and displays at the Crystal Palace Exhibition of 1851, this two-part index provides a comprehensive alphabetical and classified listing of all of the products on display, along with maps and other helpful aids for navigating the exhibition floor. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Great Exhibition, 1851
The Great Exhibition, 1851: A Sourcebook is the first anthology of its kind. It presents a comprehensive array of carefully selected primary documents, sourced from the period before, during and after the Exhibition in Hyde Park in 1851. Drawing on contemporary newspapers and periodicals, the archives of the Royal Commission, diaries, journals, celebratory poems and essays, many of these documents are reproduced in their entirety, and in the same place, for the first time. The book provides an unparalleled resource for teachers and students of the Exhibition and a starting point for researchers new to the subject. Subdivided into six chapters - Origins and organisation, Display, Nation, empire and ethnicity, Gender, Class and Afterlives - it represents the current scholarly debates about the Exhibition, orientating readers with helpful, critically informed, introductions. What was the Great Exhibition and what did it mean? Readers of The Great Exhibition, 1851: A Sourcebook will take great pleasure in finding out.
Dickinsons' Comprehensive Pictures Of The Great Exhibition Of 1851
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Crystal Palace and the Great Exhibition
The Great Exhibition of 1851 and the Crystal Palace which housed it together became a British icon, a symbol of free trade, and a national success funded not only by taxes but by public subscription. Though the Palace itself was banished to Sydenham, to leave Hyde Park free for Londoners, the Commission was re-invented under Prince Albert to spend the profits for the advancement of British industry. The Commissioners first established South Kensington with its Museums and Colleges of Art and Science, the Albert Hall and the Royal College of Music, and then moved into the training of scientists and artists. They assisted in the expansion of the British School at Rome, and for over a century 1851 Scholars have been contributing to British scientific discoveries.This book celebrates 150 years of the Commission's work, fired by the "application of art and science to productive industry", a story of some success and permanent record, yet a pilgrimage not without its episodes of dissension and controversy.
Photography and the 1851 Great Exhibition
The first comprehensive study of the diverse role and impact of photography at the 1851 Great Exhibition in London, drawing together two decades of research to create a broader understanding of the step-change in image making and distribution represented by The Great Exhibition of the Works of Industry of All Nations - the genesis of the Victoria and Albert Museum, London.0While the Great Exhibition has received a variety of examinations, its role in exhibiting and furthering the cause and exploitation of photography and its impact on illustration has been largely underappreciated. More broadly, 1851 saw a massive change in information management: in the creation and dissemination of visually based graphic information characterized by images of the building, its contents and their display that collectively constituted the Great Exhibition. Photography played a critical role in this quantum leap.00Exhibition: V&A Photography Centre, London, UK (October 2018).
The World for a Shilling
Conceived as a showcase for Britain's burgeoning manufacturing industries and the exotic products of its Empire, the Great Exhibition at the Crystal Palace was Britain's first truly national spectacle. Michael Leapman explores how the exhibition came into being; the key characters who made it happen (from Prince Albert, who was credited with the idea, to Thomas Cook, whose cheap railway trips ensured its accessibility to all); and the fascinating tales behind the exhibits that fired the imagination of the era. 'The best kind of popular history: exact, imaginative and full of fun.' Sunday Telegraph `Splendid... Michael Leapman brings a child's delight to the wonders of the Exhibition and his enthusiastic prose makes his readers feel they are almost walking down its aisles.' Mail on Sunday `Entertaining and engaging' Independent
