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Kendel Hippolyte's poetry moves easily, boldly between the worlds of public engagement and the intimacies of domesticity. What unites this movement is the challenging, comforting, questioning sound of his voice, whether speaking to the generality, to the individual recipient of an implicit dialogue, or to himself. His is an art of sound, of rhythm, of form that disguises itself as no form, of the beauty of the crooked basket. He wants the poem to draw us in rather than hold us outside in admiration at its skill - and skill and craft is what his poems display in spades. His is a vision that extends outwards in illimitable ways, but where the scale is always the human body, the human mind.
This collection's title points to the underlying philosophy expressed in these poems: that earthly joy is, or ought to be, just within, but is often beyond our reach, denied by racism, misogyny, physical cruelty and those with the class power to deny others their share of worldly goods and pleasures.
In Zion Roses, her second collection, Monica Minott's poems grasp the reader's attention with a voice that is distinctively personal, both taut and musical--and tender and muscular when the occasion demands. Her language moves seamlessly and always appropriately between standard and Jamaican patwa, a reflection of a vision that encompasses a Black modernity still very much in touch with its aphoristic folk roots, where the ancestral meets Skype or a Jonkonnu band is stuck in a Kingston traffic jam. It is possible to see Minott's poems as being in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience, and with the worlds of...
Filigree typically refers to the finer elements of craftwork, the parts that are subtle; this Filigree anthology contains work that plays with the possibilities that the word suggests, work that is delicate, that responds to the idea of edging, to a comment on the marginalization of the darker voice. Filigree includes work from established Black British poets residing inside and outside the UK; new and younger emerging voices of Black Britain and Black poets who have made it their home as well as a selection of poets the Inscribe project has nurtured and continues to support.
Since its beginnings 33 years ago, Peepal Tree has published around 45 collections of Caribbean short stories, reinforcing the view that the short story is the Caribbean literary form par excellence. This anthology draws from those collections, plus a few guests, focusing on work written over the past twenty-five years, the majority dealing with the recent post-independence period up to the present. Though quality is the ultimate criteria, this anthology is unrivalled in its range across the Anglophone Caribbean and its diasporas, and representative of Caribbean ethnicities, gender and sexual orientations. Stories offer images of the city from ghettos to gated communities, suburbia, villages...
Set in India, England, Trinidad and St Lucia, Love the Dark Days follows the story of a girl, Dolly, born of mixed Hindu-Muslim parentage in post-independence India. When she lives with her grandmother, member of an elite Muslim family, whose history is one of having colluded with the brutality of the British rule in India, Dolly unconsciously imbibes her grandmother's prejudices of class and race. As the dark child in her family, this makes her feel that she does not belong, leading to an over-anxiety to please the adults around her. That feeling of unbelonging is repeated when her family migrates to multicultural Trinidad, made up of people from many continents, where she encounters Indian people, several generations away from India, who have a very different sense of themselves, who appear contemptuous of what they see as her airs and graces. She begins writing about her experiences as a way of trying to make sense of them. In her darkest hour, she meets Nobel Laureate Derek Walcott, who encourages her, when she visits him in St Lucia over a weekend, to leave the past behind and reinvent herself.
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"Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world. The book questions the countryside's reputation as a retreat from urban life. It int...
Drawing on dramatic monologue, historical narratives, poetry of witness, and an integral intimate-domestic voice, this compilation portrays a visceral emotive patchwork of everyday dramas in the fabric of ordinary life. Written by a poet whose sense of rootedness shapes the dimensions of her work, it delves into a multiplicity of places, characters, locations, landscapes, and languages. From Grenada to the Heathrow airport, these poems are interconnected in a larger diasporic story.
A pan-Caribbean anthology of original short stories culled from the very best entries to the Commonwealth Short Story Prize.