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In the Eye of the Storm
"Barcelona, the cultural epicenter of Catalunya, is presently experiencing the most dynamic and polemical period in its modern theater history. It is the commanding hub of an energetic theater scene that in recent years has witnessed an exuberant outpouring of new dramatists, a steady crescendo in theater attendance, and a continual increase in the international presence of Catalan directors, playwrights, and companies. Barcelona's post-Olympian cultural landscape, moreover, comprises several architecturally striking theater projects. The diversity of opportunities to stage plays in Catalan at an assortment of city spaces is unprecedented, ranging in variety from commercial locales to public...
The Aesthetics of the Ephemeral
Analyzes theatrical texts and performances while providing political and historical mappings. In The Aesthetics of the Ephemeral, Jennifer Duprey examines five contemporary plays from Barcelona: Olors and Testament by Josep Maria Benet i Jornet, Antígona by Jordi Coca, Forasters by Sergi Belbel, and Temptació by Carles Batlle. She argues that in both the theatrical text and its performance an aesthetics of the ephemeral materializes that is related to specific manifestations of cultural and historical memory in Spain and Catalonia. These manifestations of memory include historical concerns such as the possibility of another form of justice in predicaments of violence after the Civil War, a...
Culture as Soft Power
This book contributes to bridge the gap between different scholarly communities interested in the entanglements of culture and politics in the international arena. It sheds light on existing connections in their parallel evolution with a thorough literature review, complemented by several case studies showing the fruitful character of their interdisciplinary mobilisation. Through the notions of cultural relations, intellectual cooperation and cultural diplomacy, the book draws on a soft power perspective to offer a shared, novel, and interdisciplinary theoretical framework to approach cultural institutions and organisations that have been previously examined as isolated objects: for example, cultural institutes, international organisations, literary magazines, and literary contests. The interdisciplinary nature of this volume justifies the relevance of its content for scholars working in the history of international relations, international cultural relations and intellectual history, comparative literature, sociology of literature and global literary studies.
New Spain, New Literatures
Hispanic Studies; Literature; Latin American Studies.
El teatre català en temps de guerra i revolució (1936-1939)
Estudi de l'escena catalana en temps de guerra i revolució (1936-1939). Una visió del sistema teatral del trienni des de l'òptica d'un sector determinat de la intel·lectualitat catalana vinculada directament o indirectament al PSUC. L'anàlisi se centra en dues de les plataformes més significades de l'òrbita intel·lectual psuquista: les revistes Mirador i Meridià.
Cultural Organizations, Networks and Mediators in Contemporary Ibero-America
This book proposes an innovative conceptual framework to explore cultural organizations at a multilateral level and cultural mediators as key figures in cultural and institutionalization processes. Specifically, it analyzes the role of Ibero-American mediators in the institutionalization of Hispanic and Lusophone cultures in the first half of the 20th century by means of two institutional networks: PEN (the non-governmental writer’s association) and the International Institute of Intellectual Cooperation (predecessor to UNESCO). Attempting to combine cultural and global history, sociology, and literary studies, the book uses an analytical focus on intercultural networks and cultural transf...
Estudis sobre el teatre català del segle XX
Aquest volum que complementa Teatre modern a Mallorca (Biblioteca Miquel dels Sants Oliver, 8) recull nou treballs que Antoni Nadal (Palma 1958) ha elaborat entre els anys 1999 i 2004, i que tenen com a matèria comuna el teatre català del segle XX referit sobretot a les illes Balears.
La cultura catalana
Joan Samsó fa per primera vegada la història de la lluita silenciosa a favor de la cultura catalana duta a terme entre el 1939 i el 1951, fonamentalment a la ciutat de Barcelona. En aquest segon i darrer volum tracta de les revistes i de les editorials que continuaren, en la clandestinitat o en la tolerància sempre relativa, la vida de la cultura catalana.
