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Enrico Castellani: Catalogue Raisonné
The complete works of the artist who helped pioneer the Zero Movement This slipcased volume is the third and final installation of the catalogue raisonné for the influential Italian sculptor Enrico Castellani (1930-2017). Gathering works on canvas, sculptures, high-reliefs and installations produced from 2005 until the artist's death, this publication completes the cataloging of Castellani's oeuvre.
Enrico Castellani, Dan Flavin, Donald Judd, Günther Uecker
Published by haunch of Venison on the occasion of the exhibition at Haunch of Venison, Enrico Castellani, Dan Flavin, Donald Judd, Gunther Uecker London, 10 September-31 October 2009.
Enrico Castellani: Opere 1955-2005
Articolato in due tomi, il Catalogo ragionato di Enrico Castellani offre un resoconto inedito sui primi cinquant&'anni di lavoro dell&'artista. Il primo volume comprende oltre 200 immagini di opere realizzate a partire dal 1958 sino a oggi, molte delle quali inedite. Le pitture iniziali, la sua prima superficie a rilievo e alcune delle successive, i dittici, i trittici, i baldacchini e gli angolari, le opere atipiche, gli ambienti e le installazioni... una selezione di immagini che permette di accedere all&'universo creativo dell&'artista. Introdotto da un lungo saggio di Bruno Corà, che analizza la totalità del percorso creativo di Castellani e svela alcuni degli aspetti più intimi e sed...
Castellani + Castellani
Castellani e Castellani is a special exhibition of both new and seminal work by Enrico Castellani, one of Italy's most influential artists.The show features new paintings that continue the dialogue set forth in his formative Angolare series as well as present his critically acclaimed Spazio Ambiente, a roomlike environment from 1970 that has rarely been exhibited publicly, and which is graciously on loan from the Fendi collection.Although created decades apart, the works exemplify Castellani's signature style and merge art, space and architecture to transcend the confines of painting.Formally trained as an architect, Castellani focuses on manipulating the surface configurations of his canvases to alter perceptions of space. In a recent interview with the artist, Hans Ulrich Obrist described Castellani's break from traditionally conceived paintings as 'an epiphany'.Published on the occasion of the exhibition at Hanuch of Venison, New York, 11 November 2011 - 7 January 2012.
The Hard Crowd
A career-spanning anthology of essays on politics and culture by the best-selling author of The Flamethrowers includes entries discussing a Palestinian refugee camp, an illegal Baja Peninsula motorcycle race, and the 1970s Fiat factory wildcat strikes.
Castellani
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The Flamethrowers
* Selected as ONE of the BEST BOOKS of the 21st CENTURY by The New York Times * NATIONAL BOOK AWARD FINALIST * New York magazine’s #1 Book of the Year * Best Book of the Year by: The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast “Superb…Scintillatingly alive…A pure explosion of now.”—The New Yorker Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner.
Local History: Castellani, Judd, Stella
Local History brings together rarely seen works from the 1950s through the early 1970s by Enrico Castellani, Donald Judd and Frank Stella, juxtaposing these with later examples that reveal each artist's distinct evolution and the various reverberations of their brief aesthetic collision in the 1960s.
New Tendencies
An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from F...
