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Primitive Architecture
  • Language: en
  • Pages: 256

Primitive Architecture

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Storia, città, arte, architettura
  • Language: it
  • Pages: 154

Storia, città, arte, architettura

  • Type: Book
  • -
  • Published: 2008
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  • Publisher: Unknown

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Schools of Asceticism
  • Language: en
  • Pages: 290

Schools of Asceticism

Explores the Weberian theme of religious asceticism in the context of medieval religion, concentrating on the Cathars and Waldensians in southern France. Analyzes how the ideology and social organization of religious groups shaped rational ascetic conduct of their members and how the different forms of asceticism affected cultural and economic life, combining a sociological approach to the analysis of medieval history with an original analysis of primary sources. For scholars of comparative historical and theoretical sociology, medieval history, and religious studies. Paper edition (unseen), $19.95. Annotation copyrighted by Book News, Inc., Portland, OR

Storia dell'urbanistica
  • Language: it

Storia dell'urbanistica

  • Type: Book
  • -
  • Published: 1979
  • -
  • Publisher: Unknown

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The Bishop's Palace
  • Language: en
  • Pages: 330

The Bishop's Palace

This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium) by the late twelfth century. Miller argues that the change reflects both the emergence of a distinct clerical culture and the attempts of bishops to maintain authority in public life. She relates both to the Gregorian reform movement, which set new standards for clerical deportment and at the same time undercut episcopal cl...

Preachers of the City
  • Language: en
  • Pages: 84

Preachers of the City

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Medieval Urban Planning
  • Language: en
  • Pages: 260

Medieval Urban Planning

  • Categories: Art

Broadly defined, urban planning today is a process one might describe as half design and half social engineering. It considers not only the aesthetic and visual product, but also the economic, political, and social implications, as well as the environmental impact. This collection of essays explores the question of whether this sort of multifaceted planning took place in the Middle Ages, and how it manifested itself outside of the monastic realm. Bringing together the monastic historian and archaeologist, with scholars of art and architecture, this volume expands our comprehension of how those in roles of authority saw the planning process and implemented their plans to structure a particular outcome. The examination of architectural complexes, literary sources, commercial legers, and political records highlights the multiple avenues for viewing the growing awareness of the social potential of an urban environment.

Cities at War in Early Modern Europe
  • Language: en
  • Pages: 371

Cities at War in Early Modern Europe

Martha Pollak offers a pan-European, richly illustrated study of early modern military urbanism, an international style of urban design.

The Italian Piazza Transformed
  • Language: en
  • Pages: 220

The Italian Piazza Transformed

"Explores the history and architecture of two city squares, constructed by rival political parties, in the Italian city of Parma from 1196 to 1300"--Provided by publisher.

Pride in Modesty
  • Language: en
  • Pages: 369

Pride in Modesty

Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.