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The Color of Skin
Ignorance and fear of the unknown gave birth to racism, and it has been fueled by hatred for hundreds of years. Unfortunately, racism is so pervasive and insidious that it has become a systemic illness that slowly erodes the health of our society. It can rear its ugly head where you least expect it. The fact that we are confronting issues like the murder of George Floyd, among many others, is a testament to the fact that racism abides in all institutions. I wrote this book for all ethnic groups so that we can be armed with knowledge and can perhaps come together, once and for all, to create the legislative and social changes that will begin to weed out systemic racism. We live in the 21st ce...
Death, Dying, and Modern Technology
Modern technology has blurred the definitions surrounding death and dying. It has cast a veil of doubt upon the idea of discussing end-of-life issues regarding realistic, spiritual, and compassionate choices before or at the end of life. As a result, patients and family members find it increasingly more difficult to make informed decisions at this most difficult time. This self-help guide offers you facts based on research, anecdotes, and suggested reading-all intended to help you make the right choices when navigating the stormy seas that we will all face someday. You will learn the difference between Healthcare Advance Directives and Durable Power of Attorney; the reality of CPR, its many ...
Now That I Am Dead
Unlike the author’s first book, It’s Hard to Die! “Do I Hold On or Do I Let Go?” which focuses on the practical and clinical aspects of the dying process—this book presents the subject from a metaphysical and transcendental approach. It addresses issues that impact the mental, emotional, and spiritual dimensions of the dying person, their family, and friends. It is difficult to step outside our comfort zone—our place of refuge, that little corner in our minds that offers solitude and protection from the unfamiliar. Our comfort zone is our reality, and we protect it from intrusion—especially when it comes to thoughts of death and dying. If you or a loved one are facing end-of-li...
Sinners and Saints
Where most books dance around the distasteful details of the church's past, this one puts a spotlight on the negative and positive alike. With one ear attuned to the early church and another to contemporary culture, this book addresses the growing concerns both Christians and non-Christians have about how transparent the church has been about its roots. This book offers a forthright depiction of early Christianity, beginning with the apostles and ending after the time of Augustine. Sinners and Saints is the first of a four-volume series that humanizes the history of Christianity by honestly examining the actions, doctrines, decisions, groups, movements, and practices of past Christians. This book's assessment helps the reader accurately understand Christianity's background and recognize how it continues to shape the present.
Ceremonial Entries in Early Modern Europe
The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that ’voiced’ the social, political and cultural messages incorporated in processional entries in the countries of early modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513.
Unbecoming Blackness
2014 Runner-Up, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies In Unbecoming Blackness, Antonio López uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. López shows how Afro-Cuban writers and performers in theU.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O’Farrill, Eusebia Cosme, Rómulo Lachatañeré, and others...
The Cristos yacentes of Gregorio Fern?ez
Analyzing seventeenth-century images of the dead Christ produced by Gregorio Fern?ez, author Ilenia Col?endoza investigates how and why the artist and his patrons manipulated these images in connection with the religious literature of the time to produce striking images that moved the faithful to devotion. In so doing, she contributes new findings to the topic of Spanish sacred sculpture. The author re-examines these sculptures not only in the context of a larger sculptural group but also as independent sculptures that were intended as powerful aids to contemplation and devotion as was prescribed by the writings of San Juan de la Cruz and Luis de Granada. Combining study of the sculptural works with that of liturgical sources, she reveals the connection between the written word and the sculpted work of art. Through this interdisciplinary approach, the author links Fern?ez's sculptural program with the strategic objectives of major patrons of the period, such as the Duke of Lerma and King Philip III of Spain, both fervent defenders of the Catholic faith.
El Cinco de Mayo
Why is Cinco de Mayo—a holiday commemorating a Mexican victory over the French at Puebla in 1862—so widely celebrated in California and across the United States, when it is scarcely observed in Mexico? As David E. Hayes-Bautista explains, the holiday is not Mexican at all, but rather an American one, created by Latinos in California during the mid-nineteenth century. Hayes-Bautista shows how the meaning of Cinco de Mayo has shifted over time—it embodied immigrant nostalgia in the 1930s, U.S. patriotism during World War II, Chicano Power in the 1960s and 1970s, and commercial intentions in the 1980s and 1990s. Today, it continues to reflect the aspirations of a community that is engaged, empowered, and expanding.
The Casa del Deán
The Casa del Deán in Puebla, Mexico, is one of few surviving sixteenth-century residences in the Americas. Built in 1580 by Tomás de la Plaza, the Dean of the Cathedral, the house was decorated with at least three magnificent murals, two of which survive. Their rediscovery in the 1950s and restoration in 2010 revealed works of art that rival European masterpieces of the early Renaissance, while incorporating indigenous elements that identify them with Amerindian visual traditions. Extensively illustrated with new color photographs of the murals, The Casa del Deán presents a thorough iconographic analysis of the paintings and an enlightening discussion of the relationship between Tomás de...
