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This work provides a detailed consideration of women directors working before the Civil War and during Franco's dictatorship, and an exploration of the impact of feminism on filmmaking in Spain.
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The History of Rioja Wine offers an informative, chronological and in-depth account of Rioja wine from the mid-nineteenth century to the present. This book illuminates the fascinating and largely unknown success story of Rioja wine. Drawing on illustrative sources, the volume traces the economic, social, cultural and political evolution of Rioja wine from the 1850s to the present day, concluding with a reflection on the lesson its appealing success story offers to any lover of history and wine. The book is adorned with historical photographs throughout, the majority previously unpublished. An ideal companion both for students interested in Spanish history and wine enthusiasts more generally, this volume offers readers the opportunity to uncork the secrets of Rioja’s wine.
The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for...
This is the first book-length English-language study of a group of five artists closely linked with the Spanish avant-garde in the 1920s and 1930s, now known as the 'Other' Generation of 27. In the same way that their contemporaries of the celebrated Generation of 27 (which included Federico Garcia Lorca) attempted a revolution of the arts through poetry inspired by European modernism, the 'Other' Generation of 27 attempted to renovate Spanish humour, first in prose, and then in the theatre and cinema. This book demonstrates how these humorists drew on the humour of Chaplin, Keaton, Lubitsch and the Marx Brothers for their stage comedy, and how they stretched the limits of the stage at the time by incorporating cinematic techniques, such as flashback, voice-overs and montage, in their search for new dramatic forms.
Discover Spain with the most incisive and entertaining guidebook on the market. Whether you plan on exploring Andalucia's White Towns, sampling the legendary nightlife of Madrid or hiking in the Picos de Euuropa, this new edition of The Rough Guide to Spain will show you the ideal places to sleep, eat, drink, shop and visit along the way. Inside The Rough Guide to Spain - Independent, trusted reviews written with Rough Guides' trademark blend of humour, honesty and insight, to help you get the most out of your visit. - Full-colour maps throughout - navigate the backstreets of Barcelona or Granada's Albaicín without needing to get online. - Stunning, inspirational images - a rich collection ...
El cine español contemporáneo (1990-2005) dedica mucha atención a la rememoración del pasado (Segunda República, la Guerra Civil, el período franquista,¿) y la realidad social (el paro, la violencia doméstica, inmigración, eutanasia,¿). Directores renombrados como Pedro Almodóvar, Alejandro Amenábar, Fernando León de Aranoa, Icíar Bollaín, o Isabel Coixet, muestran este interés dentro de sus miradas cinematográficas. La gran popularidad de este cine ha estimulado su migración en pantallas ajenas y dentro de contextos universitarios nacionales e internacionales. Este libro reúne unos veinte artículos, de investigadores americanos y europeos, que ilustran las múltiples tradiciones culturales en vigor dentro de los estudios cinematográficos, y que se enfocan al mismo tiempo en el tema central del libro: ¿Cómo se puede leer, la mirada de los autores españoles, sobre el pasado y el presente, dentro del contexto de su cine nacional?