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Inventing the Sacred
This volume examines the Spanish Inquisition’s response to a host of self-proclaimed holy persons and miracle-working visionaries whose spiritual exploits garnered popular acclaim in seventeenth-century Spain. In an effort to control this groundswell of religious enthusiasm, the Spanish Inquisition began prosecuting the crime of feigned sanctity, attempting to distinguish “false saints” from their officially approved counterparts. Drawing on Inquisition trial records, confessors’ manuals, treatises on the discernment of spirits, and spiritual autobiographies, the book situates the problem of religious imposture in relation to the Catholic church’s campaigns of social discipline and confessionalization in the post-Tridentine era and analyzes the ways in which conceptual controversies in early modern demonology, medicine, and natural philosophy complicated the church’s disciplinary aims.
Multilingual Information Access for Text, Speech and Images
The ?fth campaign of the Cross-Language Evaluation Forum (CLEF) for Eu- pean languages was held from January to September 2004. Participation in the CLEF campaigns has increased each year and CLEF 2004 was no exception: 55 groups submitted results for one or more of the di?erent tracks compared with 42 groups in the previous year. CLEF 2004 also marked a breaking point with respect to previous campaigns. The focus was no longer mainly concentrated on multilingual document retrieval as in previous years but was diversi?ed to include di?erent kinds of text retrieval across languages (e. g. , exact answers in the question-answering track) and retrieval on di?erent kinds of media (i. e. , not ju...
Cosmopolitan Film Cultures in Latin America, 1896–1960
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through t...
