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The 1619 Project
#1 NEW YORK TIMES BESTSELLER A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New American Origin Story offers a profoundly revealing vision of the American past and present. ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, Booklist In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is t...
Enslaved: True Stories of Modern Day Slavery
Today, millions of people are being held in slavery around the world. From poverty-stricken countries to affluent American suburbs, slaves toil as sweatshop workers, sex slaves, migrant workers, and domestic servants. With exposés by seven former slaves--as well as one slaveholder--from Southeast Asia, Africa, Europe, the Middle East, and the United States, this groundbreaking collection of harrowing first-hand accounts reveals how slavery continues to thrive in the twenty-first century. From the memoirs of Micheline, a Haitian girl coerced into domestic work in Connecticut, to the confessions of Abdel Nasser, a Mauritanian master turned abolitionist, these stories heighten awareness of a global human rights crisis that can no longer be ignored.
Manhood Enslaved
Manhood Enslaved reconstructs the lives of three male captives to bring greater intellectual and historical clarity to the muted lives of enslaved peoples in eighteenth- and early nineteenth-century central New Jersey, where blacks were held in bondage for nearly two centuries. The book contributes to an evolving body of historical scholarship arguing that the lives of bondpeople in America were shaped not only by the powerful forces of racial oppression, but also by their own notions of gender. The book uses previously understudied, white-authored, nineteenth-century literature about central New Jersey slaves as a point of departure. Reading beyond the racist assumptions of the authors, it contends that the precarious day-to-day existence of the three protagonists -- Yombo Melick, Dick Melick, and Quamino Buccau (Smock) -- provides revealing evidence about the various elements of "slave manhood" that gave real meaning to their oppressed lives. Kenneth E. Marshall is Assistant Professor of History at the State University of New York at Oswego.
Escape from Slavery
In this groundbreaking modern slave narrative, Francis Bok shares his remarkable story with grace, honesty, and a wisdom gained from surviving ten years in captivity. May, 1986: Selling his mother's eggs and peanuts near his village in southern Sudan, seven year old Francis Bok's life was shattered when Arab raiders on horseback, armed with rifles and long knives, burst into the quiet marketplace, murdering men and women and gathering the young children into a group. Strapped to horses and donkeys, Francis and others were taken north, into lives of slavery under wealthy Muslim farmers. For ten years, Francis lived alone in a shed near the goats and cattle that were his responsibility. Fed wi...
Portraits of Resistance
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
The Legacy of Slavery in Britain
Author Nigel Sadler challenges misconceptions of the built British landscape and shows how profits from slavery went into the construction of many iconic buildings.
Taken and Enslaved
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