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Geç kalmış romantik
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Dostlar Kitabı
Heykelimize biçim verenler... Birlikte yürüme cesaretidir dostluk,bir başına kalacağını sanırsın oysa ikisindir! "Dostluklar rastlantısal gelişmiyor. Onca insanla birlikte yola çıktım, ilerledim, ayrıldıklarım oldu. Ama kişiliğime imza koyanlar ayrı renktir. Üzerine titrerim onların. Yaşımın ileri olması, deneyimlerim, okuryazarlığım elbette bakışımı belirler ancak, öyle kişiler olur ki, takındıkları tutumla heykelinize biçim verirken, en değerli izi bırakırlar."
Yazgicilar
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Digital Authoritarianism and its Religious Legitimization
This book explores how digital authoritarianism operates in India, Pakistan, Turkey, Indonesia, and Malaysia, and how religion can be used to legitimize digital authoritarianism within democracies. In doing so, it explains how digital authoritarianism operates at various technological levels including sub-network level, proxy level, and user level, and elaborates on how governments seek to control cyberspace and social media. In each of these states, governments, in an effort to prolong – or even make permanent – their rule, seek to eliminate freedom of expression on the internet, punish dissidents, and spread pro-state propaganda. At the same time, they instrumentalize religion to justi...
A Transboundary Cinema
Tunç Okan (Bay Okan) is an independent emigrant filmmaker born in 1942 in Turkey. He started his filmmaking career in 1974 with his debut film The Bus, which he made in Sweden, and partly in Germany. He completed the film some seven years after he quit his short but hectic acting career in Turkey’s popular commercial cinema industry, Yeşilçam. A dentist by training, Okan’s cinema career started in 1965 after winning an acting competition organised by a popular film magazine. Starring in thirteen films in a period of less than two years, he achieved considerable fame. In 1967, Okan quit his career in Yeşilçam, which he accused of anaesthetising society, and immigrated to Switzerland....
Bir an bin parça
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