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Mimmo Paladino
"The general catalogue of Mimmo Paladino's graphic work documents 366 works done by the artist between 1974 and 2001." "The work has been gathered together and indexed under the direction of Enzo Di Martino, a specialist in the field of graphic work." "The volume is composed of more than 400 pages and contains a critical essay by the curator, an essential biography of the artist, and approximately 400 color and black-and-white reproductions." "All of the works are reproduced and accompanied by a technical index that indicates the title, the year the work was done, the number of editions printed, the format of the plate and the paper, the names of the printers and the publisher and, where necessary, the editorial project for which they were created."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The History of the Venice Biennale
Over a hundred years of the story behind the Biennale of Venice, the oldest and most prestigious artistic and cultural institution in the world, from the first edition in 1895 to the 52nd one in 2007.
Rembrandt
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Pollock and After
This revised edition features ten new articles and is fully updated to take account of new critical approaches to post-war American art.
Programming Environments for Massively Parallel Distributed Systems
The Cray Research MPP Fortran Programming Model.- Resource Optimisation via Structured Parallel Programming.- SYNAPS/3 - An Extension of C for Scientific Computations.- The Pyramid Programming System.- Intelligent Algorithm Decomposition for Parallelism with Alfer.- Symbolic Array Data Flow Analysis and Pattern Recognition in Numerical Codes.- A GUI for Parallel Code Generation.- Formal Techniques Based on Nets, Object Orientation and Reusability for Rapid Prototyping of Complex Systems.- Adaptor - A Transformation Tool for HPF Programs.- A Parallel Framework for Unstructured Grid Solvers.- A Study of Software Development for High Performance Computing.- Parallel Computational Frames: An App...
Dissidence
How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative...
Reading Books and Prints as Cultural Objects
This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, ‘high’ and ‘low’. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.
Moving Islands
A pathbreaking exploration of the international and intercultural connections within Oceanian performance
Cultural Transfer and Political Conflicts
Film festivals during the Cold War were fraught with the political and social tensions that dominated the world at the time. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the interest of states and private players. The history of these festivals thus sheds light not only on the films they made available to various publics, but on the cultural policies and political processes that informed their operations. Presenting new research by an international group of younger scholars, Cultural Transfer and Political Conflicts critically investigates postwar history in the context of film festivals reconstructing not only their social background and international dispensation, but also their centrality for cultural transfers between the East, the West and the South during the Cold War.
Aquae
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