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"In the Wake of Terror inquires into the historical conditions and possibilities of radical change in the post-9/11 world of globalized capitalism. E. San Juan, Jr., focuses on numerous problems, including those of racism, class antagonisms, and subalternity in the United States. Global violence is also examined in relation to the anti-imperialist struggle of diverse communities in the Philippines. Written from a historical materialist perspective, this work of cultural criticism is of interest to the academic or lay person."--BOOK JACKET.
Granted formal independence in 1946, the Philippines serves as a battleground between the neoliberal project of capitalist globalization and the enduring aspiration of Filipinos for national self-determination. More than ten million Filipino workers—over one-tenth of the country's total population—work as contract workers in all parts of the world. How did this "model" colony of the United States devolve into an impoverished, war-torn neocolonial hinterland, a provider of cheap labor and raw materials for the rest of the world? In Toward Filipino Self-Determination, E. San Juan Jr. explores the historical, cultural, and political formation of the Filipino diaspora. By focusing on the work of significant Filipino intellectuals and activists, including Carlos Bulosan and Philip Vera Cruz, as well as the issues of gender and language for workers in the United States, San Juan provides a historical-materialist reading of social practices, discourses, and institutions that explain the contradictions characterizing Filipino life in both the United States and in the Philippines.
In Racism and Cultural Studies E. San Juan Jr. offers a historical-materialist critique of practices in multiculturalism and cultural studies. Rejecting contemporary theories of inclusion as affirmations of the capitalist status quo, San Juan envisions a future of politically equal and economically empowered citizens through the democratization of power and the socialization of property. Calling U.S. nationalism the new “opium of the masses,” he argues that U.S. nationalism is where racist ideas and practices are formed, refined, and reproduced as common sense and consensus. Individual chapters engage the themes of ethnicity versus racism, gender inequality, sexuality, and the politics o...
In Part One, the author examines what is at stake in the complex relations between theory and practice in exchanges involving Paul de Man, Mikhail Bakhtin, Georg Lukács, Bertolt Brecht, Walter Benjamin, Antonio Gramsci, and others. In Part Two, San Juan focuses on the materialist aesthetics of Louis Althusser and Pierre Macherey, examining their resonance in a Hemingway novel and in the poetry of Hugh MacDiarmid. In Part Three, the author conducts an appraisal of James Baldwin's worldview, the textualization of the Asian diaspora in the United States, and the interface between postmodern themes and "postcolonial" sensibilities. The ultimate project of the author is to envision the emergence of a new field called "world cultural studies" from a radical "Third World" perspective. The transition from Western "hegemony" to the transformative, oppositional inquiry of "Others" epitomizes the itinerary of San Juan's exploration of the discipline once called litterae humaniores but now reconceived as the praxis of critical transgressions.
In this incisive and polemical book, E. San Juan, Jr., the leading authority on Philippines-U.S. literary studies, goes beyond fashionable postcolonial theory to bring to our attention the complex history of Philippines-U.S. literary interactions. In sharp contrast to other works on the subject, the author presents Filipino literary production within the context of a long and sustained tradition of anti-imperialist insurgency, and foregrounds the strong presence of oppositional writing in the Philippines. After establishing the historical context of U.S. intervention and Filipino resistance, San Juan examines the work of two very significant writers. The first, Carlos Bulosan, a journalist a...
Opposing the orthodoxies of establishment postcolonialism, Beyond Postcolonial Theory posits acts of resistance and subversion by people of color as central to the unfolding dialogue with Western hegemony. The testimonies and signifying practices of Rigoberta Menchu, C.L.R. James, various "minority" writers in the United States, and intellectuals from Africa, Latin America, and Asia are counterposed against the dogmas of contingency, borderland nomadism, panethnicity, and the ideology of identity politics and transcultural postmodern pastiche. Reappropriating ideas from Gramsci, Bakhtin, Althusser, Freire, and others in the radical democratic tradition, San Juan deploys them to recover the memory of national liberation struggles (Fanon, Cabral, Che Guevara) on the face of the triumphal march of globalized capitalism.