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Reclaiming Karbala
Analysing an extensive range of texts and publications across multiple genres, formats and literary lineages, Reclaiming Karbala studies the emergence and formation of a viable Muslim identity in Bengal over the late-19th century through the 1940s. Beginning with an explanation of the tenets of the battle of Karbala, this multi-layered study explores what it means to be Muslim, as well as the nuanced relationship between religion, linguistic identity and literary modernity that marks both Bengaliness and Muslimness in the region.This book is an intervention into the literature on regional Islam in Bengal, offering a complex perspective on the polemic on religion and language in the formation of a jatiya Bengali Muslim identity in a multilingual context. This book, by placing this polemic in the context of intra-Islamic reformist conflict, shows how all these rival reformist groups unanimously negated the Karbala-centric commemorative ritual of Muharram and Shī‘ī intercessory piety to secure a pro-Caliphate sensibility as the core value of the Bengali Muslim public sphere.
The Open-Winged Scorpion
The Open-Winged Scorpion and Other Stories is a collection of ten powerful Bengali short stories, all translated into English for the first time. Hailing from Murshidabad district in West Bengal, Abul Bashar pens stories about precarious lives of marginal Muslim communities in that district. His tales are shot through with the fears, dreams, hopes, and anxieties of the communities he portrays: their poverty and piety, the sensuality of the ancient mythologies they reimagine and remember, the rituals that permeate their lives, and the ever-present influence of the River Padma, which brings the silt that makes the land flourish--and the floods that destroy the crops and the people who plant them. The complex dynamics of the trivial and the transcendental emerge in Bashar's stories, as the tales become no less than an archive and richly imagined historical testimony of an abject community relegated to the margins of the society too focused on the future to remember people who are struggling in the here and now.
Selected Writings of Shyamal Kumar Pramanik
Shyamal Kumar Pramanik is one of the most powerful writers of the Bangla Dalit literary movement. His evocative fictional world throws into relief the lives of the downtrodden in in contemporary India. This volume brings his fiction to a new readership by presenting English translations of a selection of his most powerful stories. This book is part of the Voices from the Margins series, which seeks to enhance the visibility of literary texts and traditions from various Indian languages and also to bring Dalit literature to the center stage. Pramanik focuses extensively on lives and lifestyles of the people in the Sundarbans, the largest mangrove forest in the world and an ecologically fragil...
21 Under 40
From the lyrical to the humorous, the lightly charming to the darkly disturbing, this collection gorgeously illustrates the desires, concerns and obsessions of young women from the subcontinent. This exciting new anthology showcases twenty-one of the best short stories by South Asian women under the age of forty, a new generation of writers emerging and boldly tackling new forms and styles. Spanning genres, including historical detective fiction, graphic short stories and experimental fiction, the stories are as varied as the women themselves, and celebrate the diversity and range of women’s literature in the twenty-first century. Contributors include Ruchika Chanana, Paromita Chakravarti, Roohi Choudhry, Tishani Doshi, Shahnaz Habib, Epsita Halder, Anjum Hasan, Meena Kandasamy, Mridula Koshy, Revati Laul, Madhulika Liddle, Anju Mary Paul, Swarnalatha Rangarajan, Adithi Rao, Diana Romany, Sumana Roy, Ashima Sood, Aishwarya Subramanyam, Nisha Susan, Narmada Thiranagama and Annie Zaidi.
The Myth and Identity of the Romantic Artist in European Literature
This study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths. The construction of the artist’s identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.
Epiphanies in the Modernist Short Story
The poetics of epiphany have long been recognised as a broad aesthetic trend of modernism, related to the power of art to reveal the hidden essence of reality. Yet the critical use of the concept is still contested, complicated by the fact that in many modernist works exceptional moments are anything but revealing. This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction. The work of four modernist short story writers – Luigi Pirandello, James Joyce, Federigo Tozzi, and Katherine Mansfield – illuminates epiphanies as complex phenomena, connected to multiple aspects of mode...
A Cosmopolitan Approach to Literature
This cross-disciplinary approach to literary reading of any provenance based on an “experimental cosmopolitan” epistemology de- and recontextualizes the texts from the points of view of multiple cultures and historical moments, enriching interpretation and aesthetic experience beyond the backgrounds of the present reader and the origin of a particular literary discourse. Trusting the authority of an author or an “original” text and ignoring the fundamental plurilingualism of the literary experience obstructs the wealth of cosmopolitan reading in a globalized and fragmented world. A thorough critique of both local and overarching theories in clear dissent from the binaries of “decolonial theory” and the overextension of “nomadic theory” supports a precise research and teaching methodology at variance with past trends of Comparative and World Literature. Considering literature as the aestheticized use of language, which is universal, the many analyses provided can be extrapolated to other genres, eras, and cultural areas.
