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This book tells the neglected story of non-Western peoples at the time of the Paris Peace Conference of 1919, showing how Woodrow Wilson's rhetoric of self-determination helped ignite the upheavals that erupted in the spring of 1919 in four disparate non-Western societies--Egypt, India, China and Korea.
Offers cutting-edge perspectives on how international development has shaped the global history of the modern world.
Empires at War, 1911-1923 offers a new perspective on the history of the Great War. It expands the story of the war both in time and space to include the violent conflicts that preceded and followed the First World War, from the 1911 Italian invasion of Libya to the massive violence that followed the collapse of the Ottoman, Russian, and Austrian empires until 1923. It also presents the war as a global war of empires rather than a a European war between nation-states. This volume tells the story of the millions of imperial subjects called upon to defend their imperial governments' interest, the theatres of war that lay far beyond Europe, and the wartime roles and experiences of innumerable peoples from outside the European continent. Empires at War covers the broad, global mobilizations that saw African solders and Chinese labourers in the trenches of the Western Front, Indian troops in Jerusalem, and the Japanese military occupying Chinese territory. Finally, the volume shows how the war set the stage for the collapse not only of specific empires, but of the imperial world order writ large.
From the vantage point of the United States or Western Europe, the 1970s was a time of troubles: economic “stagflation,” political scandal, and global turmoil. Yet from an international perspective it was a seminal decade, one that brought the reintegration of the world after the great divisions of the mid-twentieth century. It was the 1970s that introduced the world to the phenomenon of “globalization,” as networks of interdependence bound peoples and societies in new and original ways. The 1970s saw the breakdown of the postwar economic order and the advent of floating currencies and free capital movements. Non-state actors rose to prominence while the authority of the superpowers ...
In this rich intellectual history, Cemil Aydin challenges the notion that anti-Westernism in modern Asia is a political and religious reaction to the liberal and democratic values of the West. Nor is anti-Westernism a natural response to Western imperialism. Instead, by focusing on the agency and achievements of non-Western intellectuals, Aydin demonstrates that modern anti-Western discourse grew out of the legitimacy crisis of a single, Eurocentric global polity in the age of high imperialism. Aydin compares Ottoman pan-Islamic and Japanese pan-Asian visions of world order from the middle of the nineteenth century to the end of World War II. He looks at when the idea of a universal "West" f...
A major reassessment of the rise and global impact of revolutionary Third World radicalism in the 1960s and 1970s.
This essay traces the changing field of the history of the United States in the world, moving through the "cultural turn" and the "transnational turn" of historiography up to the present.
The book examines the social life of non-Europeans in Paris in the 1920s and 1930s and describes the political outgrowths of their migration to France. It argues that this migration was crucial for decolonization and the rise of a Third World consciousness after World War II.
Across the course of American history, imperialism and anti-imperialism have been awkwardly paired as influences on the politics, culture, and diplomacy of the United States. The Declaration of Independence, after all, is an anti-imperial document, cataloguing the sins of the metropolitan government against the colonies. With the Revolution, and again in 1812, the nation stood against the most powerful empire in the world and declared itself independent. As noted by Ian Tyrrell and Jay Sexton, however, American "anti-imperialism was clearly selective, geographically, racially, and constitutionally." Empire’s Twin broadens our conception of anti-imperialist actors, ideas, and actions; it ch...
A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narrative...