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The tragic story of 1967's largest cave search in history, where three Hannibal boys goes missing in the local caves near the Mississippi. Nonfiction at its best.
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This book provides an intimate and affectionate view of one of Hollywood's most admired directors. The fifty-year career of John Ford (1895-1973) included six Academy Awards, four New York Film Critics' Awards, and some of our most memorable films, among them The Informer (1934), The Grapes of Wrath (1940), The Quiet Man (1952), The Long Gray Line (1955), and The Wings of Eagles (1957). In addition, the name John Ford was practically synonymous with the great Westerns that came out of Hollywood for many years-- Stagecoach (1939), She Wore a Yellow Ribbon (1949), Rio Grande (1950), The Searchers (1956), and The Man Who Shot Liberty Valance (1962), for example. After his death a European newspaper mourned ford as "the creator of the Western," although many of his finest films were far removed from that genre. Combining interviews with John Ford with his own reflections, director Peter Bogdanovich captures both the artist and the man in a highly readable, compact book that will please film lovers and Ford admirers alike. Over a hundred stills are included, along wit hthe most completed filmography yet compiled for John Ford.
The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture. Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide ...
This reading offers a traveller's guide through the book of Acts, charting both narrative features (plot development, character building and shifting points of view) and cultural scenarios informing the story (honor-shame contests, patron-client relations and purity-pollution boundaries). Within this 'literary-cultural' framework, Spencer undertakes to map the temporal, spatial and social settings of each segment of the Acts journey. While often detecting internal repetitive patterns along the way as well as comparative links with the preceding Lukan gospel and Jewish scriptures, this reading also exposes certain dramatic tensions within Acts (such as a 'double message' regarding women's prophetic ministry) and distinctive moves beyond prior narratives. The element of surprise is maximized, so that the commentary reads somewhat like a first-time exploration of the text.