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Understanding Philip K. Dick
A guide to the fantastic world of a science fiction legend Author of more than forty novels and myriad short stories over a three-decade literary career, Philip K. Dick (1928–1982) single-handedly reshaped twentieth-century science fiction. His influence has only increased since his death with the release of numerous feature films and television series based on his work, including Blade Runner, Total Recall, Minority Report, A Scanner Darkly, and The Man in the High Castle. In Understanding Philip K. Dick, Eric Carl Link introduces readers to the life, career, and work of this groundbreaking, prolific, and immeasurably influential force in American literature, media culture, and contempora...
The Cambridge Companion to Robert Frost
A collection of specially-commissioned essays, enabling readers to explore Frost's art and thought.
The Cambridge History of Science Fiction
The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.
The New Criticism
This volume covers a variety of authors and topics related to the New Criticism school of the 1920s–1950s in America. Contributors trace the history of the New Criticism as a movement, consider theoretical and practical aspects of various proponents, and assess the record of subsequent engagement with its tenets. The volume will prove valuable for its renewed concentration not only on the New Critics themselves, but also on the way they and their work have been contextualized, criticized, and valorized by theorists and educators during and after their period of greatest influence, both in the United States and abroad.
The Very Hungry Caterpillar
Eric Carle's The Very Hungry Caterpillar is a perennial favourite with children and adults alike. Its imaginative illustration and clever cut-out detail charts the progress of a very hungry caterpillar as he eats his way through the week. The e-book format of this classic makes the perfect addition to your child's digital library.
The Cambridge Companion to American Science Fiction
This Companion explores the relationship between the ideas and themes of American science fiction and their roots in the American cultural experience.
Environmental Evasion
How do we reconcile the abstract reverence for the natural world central to American literary history, beginning with Ralph Waldo Emerson's "Nature," with over a century and a half of widespread environmental destruction? Environmental Evasion examines the environmental implications of literary and cultural productions by writers from James Femimore Cooper and Henry Wadsworth Longfellow to Willa Cather, John Steinbeck, Ernest Hemingway, and Zora Neale Hurston. Lloyd Willis provocatively argues that the environmentalist outlooks by Cooper and Longfellow were eclipsed by Ralph Waldo Emerson's abstract, imperialist vision of nature. He demonstrates how many 20th century American writers have taken the Emersonian approach, participating in a silent but extremely powerful form of evasive environmental politics in the ways in which they write about the natural world. Attentive to the inherent political dimensions of all texts, Environmental Evasion insists on the relevance of environmental history and politics to New Americanist approaches to the literary canon.
The Vast and Terrible Drama
A broad treatment of the cultural, social, political, and literary under-pinnings of an entire period and movement in American letters The Vast and Terrible Drama is a critical study of the context in which authors such as Oliver Wendell Holmes, Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London created their most significant work. In 1896 Frank Norris wrote: "Terrible things must happen to the characters of the naturalistic tale. They must be twisted from the ordinary . . . and flung into the throes of a vast and terrible drama." There could be "no teacup tragedies here." This volume broadens our understanding of literary naturalism as a response to these and other aesthetic con...
Science Fiction and Anticipation
Science Fiction and Anticipation: Utopias, Dystopias and Time Travel presents ten chapters discussing themes related to time travel, utopias, and dystopias in science fiction novels published in America and Europe between the 18th and 20th century. These themes include social progress, freedom and human rights, technological advances, and the issues of ethics, racism, sexism, censorship, and slavery. The contributors analyze novels such as The Year 2440 published in 1771, Paris in the Twentieth Century written by Jules Verne, Blake; or, The Huts of America by Martin Robinson Delany, The Amphibian Man by Alexander Belyaev, Heart of a Dog by Mikhail Bulgakov, Ashes, Ashes by René Barjavel, The Machine Stops by E. M. Forster, Morel’s Invention by Adolfo Bioy Casares, and writers of Spanish, Argentinian, English, and French fictions such as George Orwell, Eduardo Ladislao Holmberg and Leopoldo Antonio Lugones Argüello. This book notably presents their sources and influence, the accuracy of their predictions, and their relevance in our very unstable world.
The Gothic and Twenty-First-Century American Popular Culture
The Gothic and Twenty-First-Century American Popular Culture examines the gothic mode deployed in a variety of texts that touch upon inherently US American themes, demonstrating its versatility and ubiquity across genres and popular media. The volume is divided into four main thematic sections, spanning representations related to ethnic minorities, bodily monstrosity, environmental anxieties, and haunted technology. The chapters explore both overtly gothic texts and pop culture artifacts that, despite not being widely considered strictly so, rely on gothic strategies and narrative devices.
