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La cibercriminalidad plantea desafíos inéditos para el derecho penal en la era digital. Tras el éxito de Ciberdelitos, surge esta colección que profundiza en las complejidades delictivas de la tecnología moderna. Este segundo volumen presenta un análisis exhaustivo de las principales manifestaciones delictivas en la sociedad digital, abordando temas como los ataques cibernéticos a la propiedad (ej. denegación de servicios, estafas informáticas) desde un enfoque comparado entre Argentina y España, así como el uso malicioso de códigos QR. Se destacan estudios sobre la privacidad, con especial atención al intrusismo informático, el ataque a las comunicaciones privadas y la protecc...
From the earliest settler policies to deal with the “Indian problem,” to contemporary government-run programs ostensibly designed to help Indigenous people, public policy has played a major role in creating the historical trauma that so greatly impacts the lives of Canada’s Aboriginal peoples. Taking Back Our Spirits traces the link between Canadian public policies, the injuries they have inflicted on Indigenous people, and Indigenous literature’s ability to heal individuals and communities. Episkenew examines contemporary autobiography, fiction, and drama to reveal how these texts respond to and critique public policy, and how literature functions as “medicine” to help cure the colonial contagion.
(Vocal Collection). This is among the most widely used teaching repertoire for singers in the U.S. Over 30 songs in each book, including American and British art songs, folk song arrangements, sacred songs and a sampling of beginning songs in German, Italian, Spanish and French. There is a completely different song selection for each voice type. CONTENTS: The Beatitudes (A.H. MALOTTE) * Bel Piacere (G.F. HANDEL) * Bonne Nuit (J. MASSENET) * The Crucifixion (S. BARBER) * el Majo Discreto (E. GRANADOS) * El Tra La La Y El Punteado (E. GRANADOS) * Everywhere I Look! (M. CAREW) * The Green Dog (H. KINGSLEY) * Have you seen but a White Lily Grow (ANONYMOUS) * Hear my Cry, o God (C. FRANCK) * Hefl...