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The Idea of Audience
What sort of relationship do artists want with their audience? What kind of role do they imagine for the performing arts in their community? Under the “creative industries”, the audience relationship has been increasingly defined and shaped by marketing and/or institutional interests. Wedged between the competing needs of the market, and their belief in the power of art to positively impact their communities, many artists and arts workers are caught in what Julian Meyrick describes as a “confused intellectual terrain”. While much audience scholarship has focused on understanding the motivations of audience members engaging with the arts, there has been considerably less research into...
Convicts and the Arts
There are a considerable number of books on the art of the convicts, so Convicts & Art has been covered reasonably well but art is only once facet of the arts that has been examined to any extent. This book concerns itself with Convicts & the Arts. This book, then, endeavors to look at the convicts’ contribution to the arts, and demonstrates without doubt that the convicts made a significantly broader contribution to the culture of Australia than previously thought. There is a common misconception that all convicts were immediately institutionalised in a cell, and convict culture was solely a prison culture. It needs reinforcing that when the First Fleet arrived there were no prisons in Au...
Fear and Temptation
Goldie skillfully reveals the ambivalence of white writers to indigenous culture through an examination of the stereotyping involved in the creation of the image of the "Other." The treacherous "redskin" and the "Indian maiden," embodiments of violence and sex, also evoke emotional signs of fear and temptation, of white repulsion from and attraction to the indigene and the land. Goldie suggests that white culture, deeply attracted to the impossible idea of becoming indigenous, either rejects native land claims and denies recognition of the original indigenes, or incorporates these claims into white assertions of native status. After comparing the works of Canadian author Rudy Wiebe and Australian author Patrick White, Goldie concludes by linking the results of his literary analysis to wider cultural concerns, particularly land rights. He shows that literary views of natives, both positive and negative, emphasize the same charac-teristics and he suggests that escape from this limited vision may open the door to solving the problems of native sovereignty.
Young People and the Shaping of Public Space in Melbourne, 1870-1914
Baby booms have a long history. In 1870, colonial Melbourne was ’perspiring juvenile humanity’ with an astonishing 42 per cent of the city’s inhabitants aged 14 and under - a demographic anomaly resulting from the gold rushes of the 1850s. Within this context, Simon Sleight enters the heated debate concerning the future prospects of ’Young Australia’ and the place of the colonial child within the incipient Australian nation. Looking beyond those institutional sites so often assessed by historians of childhood, he ranges across the outdoor city to chart the relationship between a discourse about youth, youthful experience and the shaping of new urban spaces. Play, street work, consu...
His Natural Life
His Natural Life has retained Australian classic status for over one hundred years. Scarcely ever out of print since first written during the early 1870s, it has provided successive generations with a vivid account of a brutal phase of colonial life. The main focus of this great convict novel is the complex interaction between those in power and those who suffer, made meaningful because of its hero's struggle against the destructiveness of his wrongful imprisonment. While much of the story is necessarily grim, Marcus Clarke has used elements of romance, incidents of family life and passages of scenic description to both relieve and give emphasis to the tragedy that forms its heart.
Visual Ephemera
Tracing the history of theatrical arts in 19th-century Australia, this book documents varieties of visual culture that until now have remained unrecorded or been dismissed as irrelevant to the history of Australian art.
Heartland
"How do we imagine and engage with the agricultural heartlands of Australia? In the city and the bush, how do we see ourselves in relation to the farmland that nourishes us all? Heartland explores the cultural and historical foundations of ecological change and disorder across the southwest slopes of New South Wales, a rich and productive agricultural region. Rural places are today calling everyone, George Main suggests, into relationships of mutual care."--BOOK JACKET.
Sport in Australian Drama
Sport in Australian Drama, first published in 1992, provides an intelligent view of Australian society at play.
Australian Plays for the Colonial Stage
Contains the scripts of nine colonial plays, each script has been carefully edited or reconstructed from unique manuscripts or rare colonial printed editions.
A Cultural History of the Bushranger Legend in Theatres and Cinemas, 18282017
'A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017' is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. The cultural history recounted in this book provides not only an insight into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production.
