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Explains the multimodal connections of text, image, space, body, sound and speech, in both old and new computer-mediated communication systems.
From 1943 until his death in December 1945, Austrian sociologist Otto Neurath worked tirelessly on numerous versionsof an innovative visual autobiography entitled From Hieroglyphics to Isotype. Now, sixty-five years later, comes the first publication of his full text, carefully edited from the original manuscripts. This edition highlights the important role visual material played in Neurath's life—from his earliest years to his professional work on the Isotype picture language. This engaging and informal account gives a rich picture of Central-European culture aroundthe turn of the twentieth century, seen through the eyes of Neurath's insatiable intelligence, as well as a detailed exposition of the technique of Isotype. From Hieroglyphics to Isotype includes an appendix showing examples from Neurath's extensive collection of visual material.
Diagrams are an essential part of the most diverse processes of communication and cognition. Indeed, today the production of all kinds of text (including this one) is mediated by diagrammatic tools to be found on computer desktops. Not surprisingly, then, diagrams have become the object of much historical and theoretical work. This book--volume 2 of the Proceedings of the 33rd International Wittgenstein Symposium--is dedicated to this quickly growing field of interdisciplinary research. It includes contributions from philosophy, sociology (space syntax), art history, and history of science. Historically, there is a focus on Otto Neurath and his famous visual language (ISOTYPE), while the new attempts at theorizing diagrams presented here are mainly inspired by Charles Sanders Peirce and Ludwig Wittgenstein.
Austrian sociologist Otto Neurath developed the Isotype system of pictograms in the early 1930s as a way to communicate complex information in visual form. Appearing in a variety of media, including books, posters, and films, it was designed to inform ordinary citizens about their place in the world. Isotype is the first comprehensive account of this seminal movement in the history of visual communication. Featuring new research, including previously unseen visual material, this long-overdue account traces the development of the Isotype system from its birth in prewar Vienna, through a wartime shift of production to the Netherlands, and finally to 1940s England, where the Isotype Institute continued to produce work until 1971. Isotype documents the visual system's worldwide influence, including its educational uses by the United States, Soviet Russia, and Africa.
Information Design provides citizens, business and government with a means of presenting and interacting with complex information. It embraces applications from wayfinding and map reading to forms design; from website and screen layout to instruction. Done well it can communicate across languages and cultures, convey complicated instructions, even change behaviours. Information Design offers an authoritative guide to this important multidisciplinary subject. The book weaves design theory and methods with case studies of professional practice from leading information designers across the world. The heavily illustrated text is rigorous yet readable and offers a single, must-have, reference to anyone interested in information design or any of its related disciplines such as interaction design and information architecture, information graphics, document design, universal design, service design, map-making and wayfinding.
We read e-books and printed books. But are there differences in how and where we read? And what opportunities does a digital reading environment bring for writers and designers? The materiality of reading explores the experience of reading by examining the interaction between the reader and the object of reading. Bringing together an array of disciplinary perspectives such as neurobiology, embodied reading and typography, we aim to understand how the materiality of the text enhances reader engagement with digital and physical books. The papers of this anthology are the result of academic discussions and empirical explorations at universities in Zadar, Vilnius, Reading and Stavanger as the authors are all members of the European research initiative, ‘Evolution of Reading in the Age of Digitisation’ (E-READ).
The proletariat never existed—but it had a profound effect on modern German culture and society. As the most radicalized part of the industrial working class, the proletariat embodied the critique of capitalism and the promise of socialism. But as a collective imaginary, the proletariat also inspired the fantasies, desires, and attachments necessary for transforming the working class into a historical subject and an emotional community. This book reconstructs this complicated and contradictory process through the countless treatises, essays, memoirs, novels, poems, songs, plays, paintings, photographs, and films produced in the name of the proletariat. The Proletarian Dream reads these for...
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This collection of essays explores the cultural significance of children’s reading by analyzing a series of Anglo-American case studies from the eighteenth century to the present. Marked by historical continuity and technological change, children’s reading proves to be a phenomenon with broad influence, one that shapes both the development of individual readers and wider social values. The essays in this volume capture such complexity by invoking the conception of “mediation” to approach children’s reading as a site of interaction among individual people, material texts, and institutional networks. Featuring a range of scholarly perspectives from the disciplines of literature, education, graphic design, and library and information science, this collection uncovers both the intricacies and wider stakes of children’s reading. The books, public programs, and archives that focus explicitly on children’s interests and needs are powerful arenas that give expression to the key ideological investments of a culture.
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