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This fascinating work profiles Abu Hamid al-Ghazali (1058-1111), the foremost Islamic scholar and mystic of the medieval period. Appointed head of the Nizamiyyah College at Baghdad, he attracted interested audiences from across the Islamic world. Due to a spiritual crisis, he went into self-imposed exile, during which he wrote the Sufi masterpiece, Revival of the Sciences of Religion. This is a stimulating introduction to the great man's life and work.
`A poem, I thought, is a physical object, as tactile as a statue. I began to consider poems in textual terms; there were shaggy surfaces, knobbly ones, mere veneers as sleek as glassine, but my favourites were those in which a complex and tensile music prevailed...' Eric Ormsby, that gracious, intelligent and occasionally fractious poet, has produced another vigorous collection of essays to shake North American literary criticism from its lethargy. Opinionated and hilarious, Ormsby indulges his wide-ranging interests and discusses writers from Bob Dylan to S. D. Goitein, La Fontaine to Leo Tolstoy. Fine Incisions also draws connections between Ormsby's literary criticism and his travel writi...
The first detailed study of Islamic theodicy, the book points out distinctively Islamic formulations and solutions of the problem of the best of all possible worlds" and shows where they coincide with Western versions, such as that of Leibniz. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This fascinating work profiles Abu Hamid al-Ghazali (1058-1111), the foremost Islamic scholar and mystic of the medieval period. Attracting the patronage of the vizier Nizam al-Mulk early in his career, he was appointed head of the Nizamiyyah College at Baghdad, and attracted audiences from across the Islamic world, who sought his teachings on Islamic philosophy and jurisprudence. Eventually renouncing his position due to a spiritual crisis, he went into self-imposed exile, during which he wrote the Sufi masterpiece, "Revival of the Sciences of Religion". Concise and lucid, this is a perfect introduction to the great man's life and work.
"This is the first complete English translation of the Book of Love, Longing, Intimacy and Contentment, the thirty-sixth chapter of Abū Hāmid al-Ghazālī's monomuntal Revival of the Religious Sciences ... The Book of Love ... is of fundamental importance in the history of Islamic thought and in the development of Sufism."--P. [4] of cover.
At first glance Sufism and Surrealism appear to be as far removed from one another as is possible. Adonis, however, draws convincing parallels between the two, contesting that God, in the traditional sense does not exist in Surrealism or in Sufism, and that both are engaged in parallel quests for the nature of the Absolute, through 'holy madness' and the deregulation of the senses. This is a remarkable investigation into the common threads of thought that run through seemingly polarised philosophies from East and West, written by a man Edward Said referred to as 'the most eloquent spokesman and explorer of Arab modernity'.
Bringing together Eric Ormsby's entire poetic oeuvre thus far, including a healthy selection of previously unpublished poems, Time's Covenant is timeless, by one of America's best poets. Essential reading.
Ormsby's new work is here presented together with a generous selection from two previous volumes published in Canada, Bavarian Shrine and Other Poems and Coastlines. In this earlier material, the poet delights in celebrating the hidden life in everyday objects: a twisted nail, a seashell, a roadside weed, the human body itself. Revealing the mystery and amazement contained in the quotidian, Ormsby's poetry has always been able to transmute the humblest object by virtue of his stunning gift for metaphor and his opulent exuberance of language. This is a poet whose verse rewards both the head and the heart, who can discover entire galaxies in a scrap of lichen, who can locate an entire lifetime of submerged emotion in the touch of an old woman's hand.
From the two-time Pulitzer Prize–winning author, God’s Crucible brings to life “a furiously complex age” (New York Times Book Review). Resonating as profoundly today as when it was first published to widespread critical acclaim a decade ago, God’s Crucible is a bold portrait of Islamic Spain and the birth of modern Europe from one of our greatest historians. David Levering Lewis’s narrative, filled with accounts of some of the most epic battles in world history, reveals how cosmopolitan, Muslim al-Andalus flourished—a beacon of cooperation and tolerance—while proto-Europe floundered in opposition to Islam, making virtues out of hereditary aristocracy, religious intolerance, perpetual war, and slavery. This masterful history begins with the fall of the Persian and Roman empires, followed by the rise of the prophet Muhammad and five centuries of engagement between the Muslim imperium and an emerging Europe. Essential and urgent, God’s Crucible underscores the importance of these early, world-altering events whose influence remains as current as today’s headlines.
The little-known story of the sophisticated and vibrant Arabic book culture that flourished during the Middle Ages. During the thirteenth century, Europe’s largest library owned fewer than 2,000 volumes. Libraries in the Arab world at the time had exponentially larger collections. Five libraries in Baghdad alone held between 200,000 and 1,000,000 books each, including multiple copies of standard works so that their many patrons could enjoy simultaneous access. How did the Arabic codex become so popular during the Middle Ages, even as the well-established form languished in Europe? Beatrice Gruendler’s The Rise of the Arabic Book answers this question through in-depth stories of bookmakers and book collectors, stationers and librarians, scholars and poets of the ninth century. The history of the book has been written with an outsize focus on Europe. The role books played in shaping the great literary cultures of the world beyond the West has been less known—until now. An internationally renowned expert in classical Arabic literature, Gruendler corrects this oversight and takes us into the rich literary milieu of early Arabic letters.