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The Age of Chopin
This multidisciplinary collection addresses Chopin's life and oeuvre in various cultural contexts of his era. Fourteen original essays by internationally-known scholars suggest new connections between his compositions and the intellectual, literary, artistic, and musical environs of Warsaw and Paris. Individual essays consider representations of Chopin in the visual arts; reception in the United States and in Poland; analytical aspects of the mazurkas and waltzes; and political, literary, and gender aspects of Chopin's music and legacy. Several senior scholars represent the fields of American, Western European, and Polish history; Slavic literature; musicology; music theory; and art history.
Working Boats of Britain
This study of Britain's working boats is based on a lifetime's personal research conducted around the coastline and rivers of England, Scotland and Wales.
The Athenian Trireme
Second edition of the technical and historical background to the reconstruction of a Greek warship.
We'll Meet Again
Unique and often startling encounters between music and the moving image in the films of Stanley Kubrick are trademarks of his style; witness the powerful effects of Strauss's "Also Sprach Zarathustra" in 2001: A Space Odyssey and of Beethoven's 9th Symphony in A Clockwork Orange, each excerpt vetted by Kubrick himself. We'll Meet Again argues that, for Kubrick, music is neither post-production afterthought nor background nor incidental, but instead is core to films' effects and meanings. The book first identifies the building blocks in Kubrick's sonic world and illuminates the ways in which Kubrick uses them to support his characters and to define character relationships. It then delves int...
The Viennese Waltz
Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern’s pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic “second state” analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 – 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and “Other.” Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychological anxiety of a subject’s place in society.
The Boats of the Somerset Levels
Flat-bottom craft boatbuilding in the Somerset Levels and Moors, rivers and coastal waters.
Brahms and the Scherzo
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
Mozart Studies 2
Essays by leading Mozart scholars explore the composer's popular works, biography and reception, appealing to scholars and Mozart-lovers alike.
How to Build a Boat
Part ode to building something with one’s hands in the modern age, part celebration of the beauty and function of boats, and part moving father-daughter story, How to Build a Boat is a bold adventure. Once an essential skill, the ability to build a clinker boat, first innovated by the Vikings, can seem incomprehensible today. Yet it was the clinker, with its overlapping planks, that afforded us access to the oceans, and its construction has become a lost art that calls to the do-it-yourselfer in all of us. John Gornall heard the call. A thoroughly unskilled modern man, Gornall set out to build a traditional wooden boat as a gift for his newborn daughter. It was, he recognized, a ridiculous...
