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The Appeal of Insurance
'The Appeal of Insurance is an excellent collection that reflects a growing interest in insurance research within the social sciences. Clearly written and accessible to a variety of audiences, this is a volume of world-class scholarship.'-Luis Lobo-Guerrero, School of Politics, International Relations, and Philosophy, Keele University In the marketing of its products, the insurance industry has always depended on a considerable dose of moral exhortation and enlightened appeal. The Appeal of Insurance traces the ways in which insurance over the past three centuries, perhaps more than any other business, has grown in concert with a clientele largely of its own making. Faced with a public that ...
American Sensations
This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understan...
The Collected Writings of Samson Occom, Mohegan
This is the first-ever edition of collected writings by pioneering Native American religious and political leader Samson Occom (Mohegan; 1723-1792). Essential reading for scholars of early and Native American history, literature, and religion, this volume of Occom's letters, sermons, journals, petitions, and hymns offers unparalleled views into eighteenth-century Native America.
Uncertain Chances
Maurice Lee's study illustrates how writers such as Poe, Melville, Douglass, Thoreau, Dickinson, and others participated in a broad intellectual and cultural shift in which Americans increasingly learned to live with the threatening and wonderful possibilities of chance.
How to Account for Trauma and Emotions in Law Teaching
Subverting the narrative that the legal profession must be austere and controlled, this prescient How To guide addresses the crucial need for holistic, trauma-centred law teaching. It advocates for a healthier, more inclusive profession by identifying strategies to engage, and even encourage, emotions within legal education.
Subjects of Responsibility
How and why has the concept of responsibility come to pervade the fabric of American public and private life? How are ideas of responsibility instantiated in, and constituted by, the workings of social and political institutions? What place do liberal discourses of responsibility, based on the individual, have in today's biopolitical world, where responsibility is so often a matter of risk assessment, founded in statistical probabilities? Bringing together the work of scholars in anthropology, law, literary studies, philosophy, and political theory, the essays in this volume show how state and private bureaucracies play crucial roles in fashioning forms of responsibility, which they then enjoin on populations. How do government and market constitute subjects of responsibility in a culture so enamored of individuality? In what ways can those entities--centrally, in modern culture, those engaged in insuring individuals against loss or harm--themselves be held responsible, and by whom? What kinds of subjectivities are created in this process? Can such subjects be said to be truly responsible, and in what sense?
A Speaking Aristocracy
As cultural authority was reconstituted in the Revolutionary era, knowledge reconceived in the age of Enlightenment, and the means of communication radically altered by the proliferation of print, speakers and writers in eighteenth-century America began to describe themselves and their world in new ways. Drawing on hundreds of sermons, essays, speeches, letters, journals, plays, poems, and newspaper articles, Christopher Grasso explores how intellectuals, preachers, and polemicists transformed both the forms and the substance of public discussion in eighteenth-century Connecticut. In New England through the first half of the century, only learned clergymen regularly addressed the public. After midcentury, however, newspapers, essays, and eventually lay orations introduced new rhetorical strategies to persuade or instruct an audience. With the rise of a print culture in the early Republic, the intellectual elite had to compete with other voices and address multiple audiences. By the end of the century, concludes Grasso, public discourse came to be understood not as the words of an authoritative few to the people but rather as a civic conversation of the people.
American Terror
If America is a nation founded upon Enlightenment ideals, then why are so many of its most celebrated pieces of literature so dark? American Terror returns to the question of American literature's distinctive tone of terror through a close study of three authors—Jonathan Edwards, Edgar Allan Poe, and Herman Melville—who not only wrote works of terror, but who defended, theorized, and championed it. Combining updated historical perspectives with close reading, Paul Hurh shows how these authors developed terror as a special literary affect informed by the way the concept of thinking becomes, in the wake of Enlightenment empiricism, increasingly defined by a set of austere mechanic processe...
Clint Eastwood's Cinema of Trauma
Throughout his directorial career, Clint Eastwood's movies have presented sympathetic narratives of characters enduring personal trauma as they turn to violence to survive calamity or sustain social order--a choice that leaves them marginalized rather than redeemed. In this collection of new essays, contributors examine his films--from The Outlaw Josey Wales to Sully--as studies on PTSD that expose the social conditions that tolerate or trigger traumatization and (in his more recent work) imagine a way through individual and collective trauma.
Our South
This work tracks the nation/South juxtaposition in US literature from the founding to the turn of the 20th century, through genres including travel writing, gothic and romance novels, geography textbooks, transcendentalist prose, and abolitionist address.
