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Erica Pedretti (born 1930) is best known as a writer--she won the Swiss federal award for literature in 2013--but she is also an accomplished visual artist. This publication is the first to focus on her artistic production, presenting works made since the 1970s.
Valentina Glajar investigates these narratives as representations of multicultural East Central Europe in German-language literature that show the political and ethnic tensions between Germans and local peoples that marked these regions throughout the twentieth century, often with tragic consequences. The study thus expands and diversifies the understanding of German literature and challenges the concept of a homogeneous German identity reaching far beyond the borders of the German-speaking countries."--BOOK JACKET.
Bereits in der Antike entwickelte sich eine Metakunst, die die Kunst und das Künstlertum selber zum Objekt von Kunstäusserungen machte. In der Zeit der Postmoderne ist die Thematisierung realer Kunst und realer Künstlergestalten in der Kunst nicht mehr wegzudenken. Künstler-Bilder vereint zehn Aufsätze, die sich mit literarischen Werken befassen, in denen der Autor sich historischen Künstlergestalten zuwendet, um sich so in ihnen zu spiegeln. Objekt der Darstellung sind Musiker, bildende Künstler und, vor allem, Dichter. Zeitlich reicht das Spektrum von Jakob Michael Reinhold Lenz’ Umgang mit Goethe als verehrtem Vorbild im 18. bis zu Hanns-Josef Ortheils eigenwilliger Sicht aus dem...
The question of maternity is crucial for feminists, to whom it represents both challenge and inspiration, as it is for many thinkers engaged with the issues of agency, corporeality, and ethics. This examination puts forward the idea of a 'maternal performativity', drawing on the work of Judith Butler and numerous other feminist theorists, to offer new ways of looking at 1970s and 1980s literary texts by ten German-speaking women writers, including Barbara Frischmuth, Elfriede Jelinek, Irmtraud Morgner, and Karin Struck. It argues that as yet, maternal agency has not adequately been theorized - a project which is urgent, given the traditional view in Western culture of the mother as passive -...
Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art. Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts. Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of...
The Centers for Austrian Studies, founded by the Austrian Federal Ministry for Science and Research since the 1970s, play an important role for the Austrian and international scientific community. They promote studies on Austria and Central Europe in their host nations, as well as give Austrian students the possibility of conducting research abroad and of getting in touch with the local scientific community. This volume contains reports on the activities of these institutions in the academic year 2011/2012 and includes working papers by some of their most promising PhD students. The research presented covers various aspects of Central European history in moderns times, ranging from the 15th century to the present. (Series: Europa Orientalis - Vol. 13)
As witnessed by a tremendous upsurge in medieval research, academic meetings, innovative interpretive approaches, enrolment numbers, and public interest, Medieval Studies are proving once again to be a vibrant field of investigations both inside and outside of academia. Nevertheless, there is a tendency among colleagues and administrators in the field of Germanistik/German Studies to exclude the earlier period as an exotic and irrelevant subject matter. The contributors to this volume, all of whom teach at North American universities, make a strong case for the paradigmatic function of medieval German literature for the general field of Germanistik, and argue that many of the most recent cha...
While Gender Studies has made its mark on literary studies, much scholarship on the German Middle Ages is largely inaccessible to the Anglo-American audience. With gender at its core as a category of analysis, "Gender Bonds, Gender Binds"uniquely opens up medieval German material to English speakers. Recognizing the impact of Ann Marie Rasmussen’s Mothers and Daughters in Medieval German Literature, this transatlantic volume expands on questions introduced in her 1997 book and subsequent work. More than a mere tribute, the collection moves the debates forward in new directions: it examines how gender bonds together people, practices, texts, and interpretive traditions, while constraining a...