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Irony's Antics
Irony's Antics marks a major intervention into the underexplored role of the comic in German letters. At the book's heart is the relationship between the comic and irony. Weitzman argues that in the early twentieth century, irony, a key figure for the German Romantics, reemerged from its relegation to "nonsense" in a way that both rethought Romantic irony and dramatically extended its reach.
Exemplarity and Singularity
This book pursues a strand in the history of thought – ranging from codified statutes to looser social expectations – that uses particulars, more specifically examples, to produce norms. Much intellectual history takes ancient Greece as a point of departure. But the practice of exemplarity is historically rooted firmly in ancient Roman rhetoric, oratory, literature, and law – genres that also secured its transmission. Their pragmatic approach results in a conceptualization of politics, social organization, philosophy, and law that is derived from the concrete. It is commonly supposed that, with the shift from pre-modern to modern ways of thinking – as modern knowledge came to privilege abstraction over exempla, the general over the particular – exemplarity lost its way. This book reveals the limits of this understanding. Tracing the role of exemplarity from Rome through to its influence on the fields of literature, politics, philosophy, psychoanalysis and law, it shows how Roman exemplarity has subsisted, not only as a figure of thought, but also as an alternative way to organize and to transmit knowledge.
The Naked Truth
"In the popular imagination, turn-of-the-century Vienna is a cerebral place, marked by Freud, the discovery of the unconscious, and the advent of high modernist culture. But as historian Alys George argues, this stereotype of Viennese Modernism as essentially "heady" overlooks a rich cultural history of the body in the period. Spanning 1870 to 1930, The Naked Truth is an interdisciplinary tour de force that recasts the visual, literary, and performative cultures of the era and offers an alternative genealogy of this fascinating moment in the history of the West. Starting with the Second Vienna Medical School and its innovations in anatomy and pathology, George traces an emerging culture of b...
At the Limit of the Obscene
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
Freedom from the Free Will
Brings Kafkas fiction into conversation with philosophy and political theory. Many of Kafkas narratives place their heroes in situations of confinement. Gregor Samsa is locked in his room in the Metamorphosis, and the land surveyor in The Castle is stuck in the village unable either to leave or to gain access to the castle. Dimitris Vardoulakis argues that Kafka constructs these plots of confinement in order to laugh at his heroes futile attempts to express their will. In this way, Kafka emerges as a critic of the free will and as a proponent of a different kind of freedom: one focused within the confines of ones experience and mediated by ones circumstances. Vardoulakis contends t...
The Human Rights Dictatorship
Richardson-Little exposes the forgotten history of human rights in the German Democratic Republic, placing the history of the Cold War, Eastern European dissidents and the revolutions of 1989 in a new light. By demonstrating how even a communist dictatorship could imagine itself to be a champion of human rights, this book challenges popular narratives on the fall of the Berlin Wall and illustrates how notions of human rights evolved in the Cold War as they were re-imagined in East Germany by both dissidents and state officials. Ultimately, the fight for human rights in East Germany was part of a global battle in the post-war era over competing conceptions of what human rights meant. Nonetheless, the collapse of dictatorship in East Germany did not end this conflict, as citizens had to choose for themselves what kind of human rights would follow in its wake.
Sacred Body
Sacred Body: Readings in Jewish Literary Illumination provides fresh and insightful interpretations of Jewish texts, narratives, and cultural practices that show how these artifacts unhinge the “sacred” from the divine and focus instead on the “everyday sacred” of a dynamic earthly existence that emphasizes the body, celebrates life-affirming decisions, actions, and relationships, and avoids abstraction, metaphysics, and apocalypticism. Roberta Sabbath argues that a diverse array of Jewish artifacts, from sacred scripture to contemporary novels and ballet performance, articulate a tradition that has existed for millennia in mythic, proto-historic, legalistic, mystical, philosophical, and aesthetic expressions of Jewishness. The author refers to this tradition as Jewish literary illumination, and she deftly demonstrates how it illuminates the most salient message of Judaism: that earthly existence and the body are also the site of the spiritual and the sacred.
The Musician As Philosopher
"From 1958 to 1978 in New York a series of atmospheric irruptions emerged in the history of music, fraught with dissonance, obscurity, and volume. Beyond expanding musical resources into dissonance and noise with a familiar polemical edge, a group of musicians were thinking with sound: crafting metaphysical portals, aiming one to go somewhere, to get out of oneself. For many artists and thinkers of the postwar period, the self was taken to be ideological, given, normal. Their strange, intense, disorienting music was a way out, beyond, through the other, through the collective, through an ecstatic mystery. Their work had material underpinnings: radios, amplifiers, televisions, multi-track rec...
A Precarious Happiness
"Readers of Theodor Adorno often have understood him as a "totalizing negativist." If it truly is the case that Adorno saw modern society as a realm of complete falsehood, however, his own social theory is unintelligible. In A Precarious Happiness, Peter E. Gordon aims to redeem Adorno from this negativist interpretation by showing that it arises from a basic misunderstanding of his work. Pushing against entrenched interpretations, Gordon argues that Adorno's philosophy is animated by a deep attachment to a concept of happiness or human flourishing, and it is only by virtue of that normative standard that Adorno judges the world a catastrophic failure. Through a comprehensive reading of Adorno's work, A Precarious Happiness shows that in an imperfect world, the available standards of our flourishing are also imperfect. Looking beyond Adorno, Gordon suggests that the practice of social criticism, even if it is directed toward exposing what is "false," cannot succeed without appealing to an unrealized notion of what would be right"--
Biopolitics and Resistance in Legal Education
Taking up the study of legal education in distinctly biopolitical terms, this book provides a critical and political analysis of resistance in the law school. Legal education concerns the complex pathways by which an individual becomes a lawyer, making the journey from lay-person to expert, from student to practitioner. To pose the idea of a biopolitics of legal education is not only to recognise the tensions surrounding this journey but also to recognise that legal education is a key site in which the subject engages, and is engaged by, a particular structure—and here the particular structure of the law school. This book explores the resistance to that structure, including: different ways...
