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Arthur in the Celtic Languages
• Arthur in the Celtic Languages is a reliable up-to-date introduction to the field. • It is the only book covering Arthurian literature and traditions in the Celtic languages (Welsh, Cornish, Breton, Irish, Scottish Gaelic) • This book covers medieval and modern literatures. • It also discusses folklore, ballads and other popular traditions as well as place-names.
Memory and Remembering in Early Irish Literature
Ireland possesses an early and exceptionally rich medieval vernacular tradition in which memory plays a key role. What attitudes to remembering and forgetting are expressed in secular early Irish texts? How do the texts conceptualise the past and what does this conceptualisation tell us about the present and future? Who mediates and validates different versions of the past and how is future remembrance guaranteed? This study approaches such questions through close readings of individual texts. It centres on three major aspects of medieval Irish memory culture: places and landscapes, the provision of information about the past by miraculously old eye-witnesses, and the personal, social and cu...
Sir Bevis of Hampton in Literary Tradition
First comprehensive collection to be devoted to Sir Bevis, the most popular Middle English romance.
The Destruction of Da Derga's Hostel
This book explores the strange world of Irish sagas. It offers a systematic literary analysis of any single native Irish saga and presents an analysis of the finest of the sagas, 'The Destruction of Da Derga's Hostel'. The reader is invited to not only understand this and other Irish sagas, but also to enjoy them as literature.
Classical Literature and Learning in Medieval Irish Narrative
"This edited volume will make a major contribution to our appreciation of the importance of classical literature and learning in medieval Ireland, and particularly to our understanding of its role in shaping the content, structure and transmission of medieval Irish narrative." Dr Kevin Murray, Department of Early and Medieval Irish, University College Cork. From the tenth century onwards, Irish scholars adapted Latin epics and legendary histories into the Irish language, including the Imtheachta Aeniasa, the earliest known adaptation of Virgil's Aeneid into any European vernacular; Togail Tro , a grand epic reworking of the decidedly prosaic history of the fall of Troy attributed to Dares Ph...
This is Not a Grail Romance
This is Not a Grail Romance provides answers to some of the most important questions surrounding the medieval Welsh Arthurian tale Historia Peredur vab Efrawc, one of the few surviving medieval Welsh narrative compositions, and an important member of the ‘Grail’ family of medieval European narratives. The study demonstrates that Historia Peredur is an original Welsh composition, rather than (as previous theories have suggested) being an adaptation of the twelfth-century French grail romance. The new analysis of the structure of Historia Peredur presented here shows it to be as complex as it has always been thought – but also more formal, and the result of intentional and intricate design. The seeming inconsistencies or oddities in Historia Peredur can be understood by reading it in its medieval Welsh cultural context, allowing the modern reader a greater appreciation of both the narrative and the culture that produced it.
Classical Antiquity and Medieval Ireland
This open-access book fills a huge gap in the study of classical reception in Irish literature by making accessible in translation selections from a wide variety of 10th-15th century texts. These texts are important because they demonstrate Ireland's indigenous and pre-colonial expertise in classical learning. Ireland thus emerges as a unique case in postcolonial terms where classical education is normally assumed to derive from a British imperial model. The collection situates the antiquity sagas into a broader framework of Irish, Scandinavian, and international medieval literatures. The first section of the book correlates historical Irish and world chronologies with those of ancient Greec...
Triggers
The concept of 'trigger' is a core concept of Chomsky's Minimalist Program. The idea that certain types of movement are triggered by some property of the target position is at least as old as the notion that the movement of noun phrases to the subject position is triggered by their need to receive nominative case. In more recent versions of syntactic theory, triggering mechanisms are thought to regulate all of movement. Furthermore, a quite narrow range of triggering mechanisms is permitted. As is to be expected, such a restrictive approach meets a variety of difficulties. Specifically, the question is whether all triggering elements required to cover displacement of all kinds in natural lan...
Gender and Exemplarity in Medieval and Early Modern Spain
Gender and Exemplarity in Medieval and Early Modern Spain gathers a series of studies on the interplay between gender, sanctity and exemplarity in regard to literary production in the Iberian peninsula. The first section examines how women were con¬strued as saintly examples through narratives, mostly composed by male writers; the second focuses on the use made of exemplary life-accounts by women writers in order to fashion their own social identity and their role as authors. The volume includes studies on relevant models (Mary Magdalen, Virgin Mary, living saints), means of transmission, sponsorship and agency (reading circles, print, patronage), and female writers (Leonor López de Córdoba, Isabel de Villena, Teresa of Ávila) involved in creating textual exemplars for women. Contributors are: Pablo Acosta-García, Andrew M. Beresford, Jimena Gamba Corradine, Ryan D. Giles, María Morrás, Lesley K. Twomey, Roa Vidal Doval, and Christopher van Ginhoven Rey.
Vera Lex Historiae?
Writing circa 731 CE, Bede professes in the introduction to his Historia Ecclesiastica Gentis Anglorum that he will write his account of the past of the English following only vera lex historiae. Whether explicitly or (most often) implicitly, historians narrate the past according to a conception of what constitutes historical truth that emerges in the use of narrative strategies, of certain formulae or textual forms, in establishing one's own ideological authority or that of one's informants, in faithfulness to a cultural, narrative, or poetic tradition. If we extend the scope of what we understand by history (especially in a pre-modern setting) to include not just the writings of historians...
