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On Nov. 28, 1858, a ship called the Wanderer slipped silently into a coastal channel and unloaded its cargo of over 400 African slaves onto Jekyll Island, Georgia, thirty eight years after the African slave trade had been made illegal. It was the last ship ever to bring a cargo of African slaves to American soil. Built in 1856, the Wanderer began life as a luxury racing yacht, flying the pennant of the New York Yacht Club and cited as the successor to the famous yacht America. But within a year of its creation, the Wanderer was secretly converted into a slave ship, and, with the New York Yacht Club pennant still flying above as a diversion, sailed off to Africa. The Wanderer's mission was me...
Drawing on recent insights from neuroscience about the roles that intuition, emotional intelligence, and courage can play, "Ten Steps Ahead" reveals what makes visionaries tick and how they develop and use their extraordinary powers.
Business visionaries like Steve Jobs and Richard Branson are the stuff of legend. Yet we fumble in describing what they actually do. TEN STEPS AHEAD explains how it's not that some people can magically see opportunities - it's that the rest of us are blind to the ones all around us. We learn, for instance: How Richard Branson had the foresight to trademark Virgin Galactic in the early 1990s, when private spaceflight was science fiction; How Richard Feynman made breakthroughs in quantum mechanics be pretending he was an electron; Why Jeff Hawkins walked around with a block of wood and a chopstick to design the first Palm Pilot. Erik Calonius, who has interviewed many of the greatest living visionaries across disciplines and industries, weaves together their stories, highlights their shared attributes, and draws on science to help us understand what sets them apart and how we too can see (and make) the future.
An engaging narrative tells the story of Savannah, Georgia, from the hopeful arrival of its first permanent English settlers in 1733 to the uncertainties faced by its Civil War survivors in 1865. Reprint.
This collection of essays grew out of a symposium commemorating the 250th anniversary of the founding of Georgia. The contributors are authorities in their respective fields and their efforts represent not only the fruits of long careers but also the observations and insights of some of the most promising young scholars. Forty Years of Diversity sheds new light on the social, political, religious, and ethnic diversity of colonial Georgia.
Business and industry leaders are eager to find ways to spark the creative instinct in their work forces. The creation, implementation, and sustainability of new ideas is the lifeblood ensuring the growth and viability of any organization. Without continuing innovation, competitive advantage and global market share are endangered. Once-thriving organizations can find themselves unprepared for the future. This newly translated work examines the multi-layered environment of innovation by melding the thoughts of business management pundits like Peter Senge with the views of artist, politicians, and other non-traditional thinkers like Tao Ho, Peter Greenaway, and Wolfgang Rihm. These thought leaders share their insights and help us to understand the process of creativity and construction and the methods to move organizations forward in an ever-changing climate.
A new interdisciplinary interest has risen to study interconnections between oral tradition and book culture. In addition to the use and dissemination of printed books, newspapers etc., book culture denotes manuscript media and the circulation of written documents of oral tradition in and through the archive, into published collections. Book culture also intertwines the process of framing and defining oral genres with literary interests and ideologies. The present volume is highly relevant to anyone interested in oral cultures and their relationship to the culture of writing and publishing. The questions discussed include the following: How have printing and book publishing set terms for oral tradition scholarship? How have the practices of reading affected the circulation of oral traditions? Which books and publishing projects have played a key role in this and how? How have the written representations of oral traditions, as well as the roles of editors and publishers, introduced authorship to materials customarily regarded as anonymous and collective?
Addicted to Steel explores the global phenomenon of applying graffiti on trains. It chronicles the tales of a London based graffiti writer who, over a period of twelve years, became a household name and one of the most wanted vandals by the British Transport Police. With his unique insight into this greatly misunderstood subculture, the author has given us the first of its kind detailed account of criminal damage on such an unprecedented scale. The book covers many missions that span across London, the Home Counties and as far afield as Europe and New York. The adrenalin fuelled short stories transport you in to the grime covered underbelly of London s underground transport network along with many other cities. It is a thrill a minute roller-coaster ride of planning, painting and quick getaways.
In Learning Law and Travelling Europe, Marianne Vasara-Aaltonen offers an exciting account of the study journeys of Swedish lawyers in the early modern period. Based on archival sources and biographical information, the study delves into the backgrounds of the law students, their travels through Europe, and their future careers. In seventeenth-century Sweden, the state-building process was at its height, and trained officials were desperately needed for the administration and judiciary. The book shows convincingly that the studies abroad of future lawyers were intimately linked to this process, whereas in the eighteenth century, study journeys became less important. By examining the development of the Swedish early modern legal profession, the book also represents an important contribution to comparative legal history.
“Proud, defiant, brave, these are the Muslim women of America. Hear them roar!” —Asma Gull Hasan, author of Why I Am a Muslim For years, the image of the Muslim woman in America has been as mysterious as the face behind the veil. Is she garbed in the traditional hijab and chador? Is she subservient to a male-dominated culture and religion? Does she grocery shop, do her nails, go to the gym? “A superb attempt at helping us to discover the emerging identity of American Muslim women.” —Dr. Sayyid M. Syeed, Islamic Society of North America In this moving book, journalist Donna Gehrke-White provides a rare, revealing look into the hearts, minds, and everyday lives of Muslim women in America. Here, in their own words, are the many different voices of doctors, soccer moms, rebels, reformers, former political prisoners, survivors, and activists—women of faith, courage, hope, and change—all Muslims, all Americans. “Enlightening. . . . In their diversity, forthrightness, and honesty, the voices of these women ultimately sound more American than anything else—and therein lies the strength of this book.” —Library Journal