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The Kaprálová Companion
The Kaprálová Companion, edited by Karla Hartl and Erik Entwistle, is a collection of biographical and analytical essays on Czech composer Vítezslava Kaprálová [1915–1940]. Accompanied by an annotated catalog of works, annotated chronology of life events, bibliography, discography, and a list of published works, The Kaprálová Companion is an essential, comprehensive guide to the composer's life and music. It is also the first book published on Kaprálová in English. As readers will discover, the work of Vítezslava Kaprálová represents a progressive and distinctive voice in inter-war Czech musical culture. Despite her untimely death at the age of twenty-five, Kaprálová created ...
Martinů's Mysterious Accident
Bohuslav Martinu (1890-1959)was one of the most prolific composers in the 20th century. Despite the fact that he lived for several years in the United States and had many of his works premiered in this country, he still stands as an enigma. This collection of essays by an international group of experts, is dedicated to the memory of Michael Henderson, who died in 1994 at the age of 47. Henderson was in the process of writing a biography of the composer. These essays include a range of new approaches to Martinu: Judy Mabary gives a concise history of Martinu's collaboration with choreographer Eric Hawkins, The Strangler; Ales Brezina looks penetratingly at the often tortured relationship between Martinu and the Czechoslovak government; and Michael Beckerman explores questions of construction in Martinu's Piano Concerto No. 2. Shorter pieces by Czech scholars Isa Popelka and Jaroslav Mihule are also included. In addition, there will be an essay by Michael Henderson on "Martinu's Mysterious Accident" which will shed light on one of the most harrowing events in the composer's life.
Prague, Capital of the Twentieth Century
The story of modernity told through a cultural history of twentieth-century Prague Setting out to recover the roots of modernity in the boulevards, interiors, and arcades of the "city of light," Walter Benjamin dubbed Paris "the capital of the nineteenth century." In this eagerly anticipated sequel to his acclaimed Coasts of Bohemia: A Czech History, Derek Sayer argues that Prague could well be seen as the capital of the much darker twentieth century. Ranging across twentieth-century Prague's astonishingly vibrant and always surprising human landscape, this richly illustrated cultural history describes how the city has experienced (and suffered) more ways of being modern than perhaps any oth...
Rethinking Schubert
Rethinking Schubert offers a conspectus of issues in Schubert scholarship, a reappraisal of key debates, and an exploration of new avenues of research. It brings together twenty-two essays by some of today's most important Schubert scholars, which provide new insights into this composer, his music, his influence, and his legacy.
Bohuslav Martinu
Bohemian composer Bohuslav Martinu (1890-1959) was exceptionally prolific, composing over 400 imaginative, well-crafted, and diverse pieces, including symphonies, operas, ballet scores, and other orchestral works. For 12 years (1941-1953), he lived in America, during which he enjoyed a brilliant reputation, and his works were played by nearly all the major orchestras. Yet today, his works are rarely performed. In Bohuslav Martinu: The Compulsion to Compose, F. James Rybka provides a documented explanation for Martinu's amazing output: he had Asperger syndrome. Indeed, Martinu is believed to be the first composer ever to be documented, albeit retrospectively, with an autistic spectrum disorde...
Nineteenth-Century Chamber Music
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Rudolf Serkin
This book is the first biography of 20th-century pianist Rudolf Serkin, providing a narrative of Serkin's life with emphasis on his European roots and the impact of his move to America. Based on his personal papers and correspondence, as well as extensive interviews with friends, family, and colleagues, the authors focus on three key aspects of Serkin's work, particularly as it unfolded in America: his art and career as a pianist, his activities as a pedagogue, including his long association with the Curtis Institute in Philadelphia, and his key role in institutionalizing a redefinition of musical values in America through his work as artistic director of the Marlboro Music School and Festival in Vermont. A candid and colorful blend of narrative and interviews, it offers a probing look into the life and character of this very private man and powerful musical personality.
Composing Women
This volume presents fifteen musicological perspectives on the creativity of women composers and the question of 'femininity' in Southeastern-European musical cultures from 1918 on. In the questions about and beyond a 'female aesthetics', socio-cultural approaches to the lives of creative women prove to be indispensable for contemporary musicological gender research, because highly complex facts of musical life and social realities in political systems cannot be separated from each other. By this means the exclusion and marginalization of women composers in the national and international music establishment, as well as strategies for overcoming these systems, are made visible and brought to consciousness. This volume therefore focusses on the social, cultural, and biological preconditions of cultural action, and intends to arouse curiosity for multi-layered realities; it aims to increase the reception of the compositional oeuvre of women composers from Southeastern Europe by the global music scene, the musicological discourse, and an engaged audience.
Guide to the Pianist's Repertoire
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
Janáček Beyond the Borders
This contextual study of Janácek's operas reveals the composer's creative responses to a wide range of Czech and non-Czech traditions.
