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Theatre Intercontinental
Most of the essays in this volume developed from a series of lectures on the forms and functions of theatre in different cultures, and correspondences between them, organized by the Leiden University Department of Theatre and Film Studies. Some contributions to this volume discuss origins, forms and functions of theatre in the Far and in the Middle East, as well as how in some cases the contemporary theatre in these cultures have managed to incorporate Western theatrical elements into their local traditions. Other articles consider how such twentieth-century Western dramatists as Yeats, Brecht and Beckett have been inspired by Asian theatre forms; how Western theatre-goers have misunderstood...
Developing Zeami
The great noh actor, theorist, and playwright Zeami Motokiyo (ca. 1363-1443) is one of the major figures of world drama. His critical treatises have attracted international attention ever since their publication in the early 1900s. His corpus of work and ideas continues to offer a wealth of insights on issues ranging from the nature of dramatic illusion and audience interest to tactics for composing successful plays to issues of somaticity and bodily training. Shelley Fenno Quinn’s impressive interpretive examination of Zeami’s treatises addresses all of these areas as it outlines the development of the playwright’s ideas on how best to cultivate attunement between performer and audien...
Zeami
Annotation Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than 30 of the finest plays of no drama. He also wrote a variety of texts on theater and performance. This text presents the full range of Zeami's critical thought on the subject.
Chinese Studies in the Netherlands
The Netherlands have a long and proud history in Chinese studies. This volume collects not only articles that trace the historical development of Chinese studies in the Netherlands from the middle of the nineteenth century to the present and beyond, but also studies that deal with Dutch research in specific disciplines within Chinese studies. Chinese studies in the Netherlands originated from the needs of the Dutch colonial administration in the Dutch East Indies, but developed a strong philological emphasis in the first part of the twentieth century, to turn increasingly towards disciplinary research on modern and contemporary China in the last few decades. Contributors include Leonard Blussé, Maghiel van Crevel, Barend ter Haar, Albert Hoffstädt, Wilt Idema, Mark Leenhouts, Oliver Moore, Frank Pieke and Rint Sybesma.
Uncharted Waters: Intellectual Life in the Edo Period
In the Edo period, Japan had its first experience of what one might call “intellectual life” in a pregnant sense of the word: a scene that combined serious intellectual pursuits, from poetry writing to the interpretation of the Confucian classics, with intense social interaction. Edo-period Japan was crisscrossed by networks of poets, scholars, artists and collectors who exchanged information, discussed each other’s work, cooperated in collaborative projects, and gossiped about each other. Intellectual life in Edo Japan was a seething cauldron of social interaction and competition, sometimes harmoniously productive, sometimes destructively vicious, but never stagnant. This volume, compiled in honour of Prof. W.J. Boot, offers eleven essays that explore the intellectual scene of Edo-period Japan from a variety of perspectives.
Progressive Traditions
This monograph with an accompanying CD-ROM explores through plot repetition the relationships between three genres of traditional Japanese theatre, nō, kabuki and ningyō-jōruri, with a focus on plays depicting the final, fugitive years of Minamoto no Yoshitsune. First, the theoretical background to the concept of plot repetition is discussed and the theme of Yoshitsune’s downfall is introduced. The next and main section analyses the treatment of the Funa Benkei and Ataka/Kanjinchō plots in the three genres, with reference to their historical development and contemporary performance. The CD-ROM contains video clips, photographs and nishiki-e prints from productions in each genre to illustrate how the plots are presented on stage.
Like Clouds or Mists
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Frontier Contact Between Choson Korea and Tokugawa Japan
This study draws on a wide base of primary sources for Korea and Japan and introduces the problems that animate modern scholarship in both countries.
Dismissed as elegant fossils
Konoe Nobutada (1565-1614) was a famous calligrapher and head of a high-ranking aristocratic family. Nobutada's contributions to the art and culture, have frequently been overlooked, largely because of the common misperception that aristocrats were too outdated, impoverished and powerless to be worthy of discussion. Dismissed as Elegant Fossils seeks to reinstate aristocrats as key players in the competition for political and artistic supremacy by examining Nobutada's calligraphy and painting, his turbulent relationship with Tokugawa Ieyasu, and his family's role in marital politics.
