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The music today known as "classic country" originated in the South in the 1920s. Influenced by blues and folk music, instrumentation was typically guitar, fiddle, bass, steel guitar, and later drums, with lyrics and arrangements rooted in tradition. This book covers some of the genre's legendary artists, from its heyday in the 1940s to its decline in the early 1970s. Revivalists keeping the traditions alive in the 21st century are also explored. Drawing on original interviews with artists and their associates, biographical profiles chronicle their lives on the road and in the studio, as well as the stories behind popular songs. Thirty-six performers are profiled, including Ernest Tubb, Ray Price, Loretta Lynn, Bill Anderson, Faron Young, Mickey Gilley, Freddie Hart, Jerry Reed, Charley Pride, David Frizzell, The Cactus Blossoms, The Secret Sisters, and Pokey LaFarge.
These are the edited (i.e. transcribed, annotated and indexed) diaries of Sir Ernest Satow (1843-1929) for the six years from the time when he left Japan early in 1883, through his time as Agent and Consul-General and subsequent promotion to Minister Resident at Bangkok, until his return to London and his request in December 1887 for another posting on health grounds. The period includes his visits to Japan (officially for rest and recuperation) in 1884 and 1886, and to Paris, Rome and Lisbon for research into the Jesuits in Japan conducted early in 1888, and the confirmation of his appointment to Montevideo in October of that year. Throughout the period his ultimate goal was promotion to Minister in Japan, which he achieved in 1895. The original diaries are in the National Archives (UK). Published for the first time on lulu.com.
"A guide to the press of the United Kingdom and to the principal publications of Europe, Australia, the Far East, Gulf States, and the U.S.A.
The primary characters of this novel: the vicar, churchwarden, and Thomson, took life within my wonderings on the death of my bishop, and do not represent any persons, living or dead, that I have known in my life. Some of the other characters in the novel do reflect specific people (though never from confession, of course), and I offer their words, experiences and wisdom as a tribute to them and to the integrity and struggles of their own journey. This novel makes use of fiction to investigate questions raised by males - young, middle-aged and older - as they undergo the difficult, lifelong metamorphosis into manhood, engaging one primary issue as a paradigm for the many, unique - and deeply personal - issues which confront each man along his journey.
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