Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Blonde Indian
A member of the the Wolf House of the Kaagwaantaan clan of the Tlingit Indians tells the story of her early family life, her travels as a young woman, and her return home to Juneau, Alaska as an adult.
The Tao of Raven
In her first book, Blonde Indian, Ernestine Hayes powerfully recounted the story of returning to Juneau and to her Tlingit home after many years of wandering. The Tao of Raven takes up the next and, in some ways, less explored question: once the exile returns, then what? Using the story of Raven and the Box of Daylight (and relating it to Sun Tzu’s equally timeless Art of War) to deepen her narration and reflection, Hayes expresses an ongoing frustration and anger at the obstacles and prejudices still facing Alaska Natives in their own land, but also recounts her own story of attending and completing college in her fifties and becoming a professor and a writer. Hayes lyrically weaves together strands of memoir, contemplation, and fiction to articulate an Indigenous worldview in which all things are connected, in which intergenerational trauma creates many hardships but transformation is still possible. Now a grandmother and thinking very much of the generations who will come after her, Hayes speaks for herself but also has powerful things to say about the resilience and complications of her Native community.
Shapes of Native Nonfiction
Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.
Made of Salmon
All over the world, salmon populations are in trouble, as overfishing and habitat loss have combined to put the once-great Atlantic and Pacific Northwest runs at serious risk. Alaska, however, stands out as a rare success story: its salmon populations remain strong and healthy, the result of years of careful management and conservation programs that are rooted in a shared understanding of the importance of the fish to the life, culture, and history of the state. Made of Salmon brings together more than fifty diverse Alaska voices to celebrate the salmon and its place in Alaska life. A mix of words and images, the book interweaves longer works by some of Alaska’s finest writers with shorter, more anecdotal accounts and stunning photographs of Alaskans fishing for, catching, preserving, and eating salmon throughout the state. A love letter to a fish that has been central to Alaska life for centuries, Made of Salmon is a reminder of the stakes of this great, ongoing conservation battle.
The Story of the Town Bear and the Forest Bear
Forest Bear is happy living in the woods until one day his relative comes to visit. After a long day of looking for roots, berries, and fish, the bears are still hungry. When Town Bear tells Forest Bear about the food waiting for them in special cans in town, Forest Bear leaves the forest and travels back to town with his relative. But Forest Bear soon finds out that meals in town come at an unexpected price. A uniquely Alaskan work, The Story of the Town Bear and the Forest Bear tells a timeless tale of the dangers of giving up something we love for the promise of an easy life.
The Native American Renaissance
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination...
Being Caribou
For eons, female members of the Porcupine caribou herd have made the 2,800-mile journey from their winter feeding grounds to their summer calving grounds. They once roamed borderless wilderness; now they trek from Canada, where they're protected, to the United States, where they are not. What's more, beneath the calving grounds lay vast reserves of oil. Determined to convey both the enormity of the caribous' migration and the delicacy of their habitat, Karsten Heuer and his wife spent their honeymoon following the herd. For five months, they traveled an uncharted course on foot over mountains, through snow, and across frozen rivers, with only three semi-scheduled food drops for support. As with the caribou, Heuer and his wife faced dwindling fat reserves and stalking by ravenous grizzlies and wolves just awakened from hibernation. Both a rousing adventure story and a sober ecological meditation, Being Caribou vividly conveys this magnificent animal's world.
Ragged Coast, Rugged Coves
Ragged Coast, Rugged Coves explores the untold story of cannery workers in Southeast Alaska from 1878 through the Cold War, particularly how making a living was pitted against the economic realities of the day.
Northerny
Fresh, funny, and imbued with infectious energy, Northerny tells a much-needed and compelling story of growing up and living in the North. Here are no tidy tales of aurora borealis and adventures in snow. For Dawn Macdonald, the North is not an escape, a pathway to enlightenment, or a lifestyle choice. It’s a messy, beautiful, and painful point of origin. People from the North see the North differently and want to tell their own stories in their own way, including about their experiences growing up on the land, getting an education, and struggling to find jobs and opportunities. Expertly balancing lyric reflection and ferocious realism, Macdonald busts up the cultural myths of self-interest and superiority that have long dominated conversations about both Northern spaces and working-class identities.
