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This 50th edition of Publication Design Annual celebrates the winners of The Society for Publication Design's competition.
Un volumen colectivo que profundiza en la figura de Ocaña, uno de los artistas más admirados, libres y transgresores de los años de la Transición. ¿Qué tiene la figura de José Pérez Ocaña que, cuarenta años después de su muerte, sigue despertando admiración? Ocaña. El eterno brillo del Sol de Cantillana es un volumen colectivo coordinado por Carlos Barea que trata de responder a esta pregunta a través de una mirada multidisciplinar a la vida y la obra de uno de los artistas más destacados de la contracultura catalana de finales de los años setenta y principios de los ochenta. Con la intención de arrojar algo de luz sobre un personaje del que mucho se ha dicho pero poco se ha...
The Society of Publication Designers' (SPD) annual competition seeks the very best in editorial design work. Judged by a worldwide panel of top designers, the 49th edition of Rockport's best-selling SPD annuals celebrates the journalists, editorial directors, photographers, and other talented individuals who brought events of the year 2014 to our doorsteps and computer screens. Stunning full-page layouts present everything from products to people, and objects to events, in ways that make each palpable and unforgettable. You'll find featured work published in a wide range of mediums and created by journalistic, design, and publishing talent from around the world.
不能輸的加值人生 NEVER FAIL YOURSELF 面對人生挑戰,超越昨日那個一成不變的自我 林義傑˙盧彥勳˙浩角翔起˙周子軒˙wisdom 分享絕不怠步自溺,擁抱生命各種可能的運動精神 SPECIAL 2014秋冬紐約時裝周速報 Joseph Bennett獨家對談 Leslie Kee與Ernesto Artillo男男拼攝 FASHION 滿城飛花 叱紅重生 丹寧加乘美學 GUY & DOLL 金宇彬 繼承者的契機 李佳薇 唱歌的幸福 LIFESTYLE 2014 Baselworld品牌總整理 紐西蘭北島遊蹤 蔚藍海岸試駕Audi
Featuring non-fiction by Mary Gaitskill, James Pogue, Susan Pedersen, Christian Lorentzen and Snigdha Poonam. Fiction by Fleur Jaeggy (translated by Gini Alhadeff), J.M. Coetzee, Sophie Collins, Kevin Brazil, Victor Heringer (translated by James Young) and Alexandra Tanner. Poetry by Najwan Darwish, Zoe Hitzig, Tamara Nassar and Bernadette Van-Huy. Photography by Rosalind Fox Solomon (introduced by Lynne Tillman), Jesse Glazzard (introduced by Anthony Vahni Capildeo) and Debmalya Ray Choudhuri (introduced by John-Baptiste Oduor). Cover art by Simon Casson.
Una meditación sobre el feminismo el año de la huelga feminista y el #MeToo. Tres acontecimientos más una sentencia (el #MeToo, la carta de las intelectuales francesas, la huelga feminista del 8 de marzo y la sentencia de La Manada) han marcado la agenda en los últimos meses y han puesto en el punto de mira el concepto del feminismo hoy. Marta Sanz reflexiona acerca de lo que ello supone, cómo posicionarse ante esos hechos concretos, cómo «proteger» la lucha feminista de la simplificación y comercialización de un capitalismo que lo puede absorber todo, y piensa también sobre las cuotas y el poder, para llegar a la conclusión de que quizás lo que deba modificarse sea la noción de poder misma... Una reflexión de una mujer que se pregunta, en sus actuaciones públicas y privadas, en cada gesto y cada palabra, cuál es el camino hacia la igualdad.
Seizoensbrochure DE SINGEL 24-25
The eighth edition of the provocative periodical offering an international perspective on contemporary nude photography Those in search of the essence of humanity will discover beauty and ugliness, light and shadow on the way toward it. For the eighth time, The Opéra, an annual magazine of nude photography, sets out to present the human body as it was created or independently formed and shaped. In their diverse works, the numerous photographers from all over the world once more share the same curiosity to explore human emotions. All of them, some reluctant and observing, others delightedly engaged and orchestrated, act out the great spectacle that is human existence. Photographers include: ...
George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell's Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the 'four great motives for writing' – 'sheer egoism', 'aesthetic enthusiasm', 'historical impulse' and 'political purpose' – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell's mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer's oeuvre.