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Hans Koch changes his identity in Germany to protect himself from persecution. "Taken in by Lena Richter, the wife of a rising star in the SS and renamed Hanna, she is determined to make the best of her new circumstances ... As the end of the war nears and Ernst Richter is ordered to destroy all evidence of war crimes, Hanna throws caution to the wind in an effort to save a single life and by doing so, her soul."--Excerpted from back cover.
Discover the art of classical music with the comprehensive guide to canon and fugue by Ernst Friedrich Richter. With detailed explanations and examples of the principles of counterpoint and imitation, this book is the perfect resource for music students and classical music enthusiasts alike. Whether you're a musician or simply interested in the history and theory of classical music, A Treatise on Canon and Fugue is an essential addition to your library. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
How did New Testament authors use Israel’s Scriptures? Use, misuse, appropriation, citation, allusion, inspiration—how do we characterize the manifold images, paraphrases, and quotations of the Jewish Scriptures that pervade the New Testament? Over the past few decades, scholars have tackled the question with a variety of methodologies. New Testament authors were part of a broader landscape of Jewish readers interpreting Scripture. Recent studies have sought to understand the various compositional techniques of the early Christians who composed the New Testament in this context and on the authors’ own terms. In this landmark collection of essays, Matthias Henze and David Lincicum marsh...
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
The lake was flat and calm, with barely a ripple. Its dark waters glistening, reflecting the moonlight as though it were a mirror. Fritz Marschall knew that neither he, nor his friend, should really have been there. They, like many others before them, had been attracted to the lake by the many rumors that had been circulating. He thought of the endless stories there had been, of treasures sunken in, or buried around the lake. He recalled the stories of the lake being used to develop torpedoes and rockets during the war. Looking out across the dark water, he wondered what secrets were hidden beneath the surface.
Fascinating documentation of one of the most important film societies in American history.
Studies on Philo and Hellenistic Judaism from experts in the field The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE). Volume 33 includes a special section on the history of editions of Philo, five general articles on Philo’s work, an annotated bibliography, and thirteen book reviews.
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