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Errol John's Moon on a Rainbow Shawl
Errol John wrote Moon on a Rainbow Shawl (1958) after becoming disillusioned about the lack of good roles for black actors on the British theatre scene. While this situation has only slightly improved since, his response has become the most revived black play in Britain, from its original production at the Royal Court in 1958, to the National Theatre in 2012. It depicts the lives of a black community living in poverty in a shared tenement yard in Port of Spain, Trinidad, in the mid-1940s, showing how each of the characters carries dreams of escaping to create better lives for themselves and their families. Lynette Goddard focuses on how the play articulates the narratives of migration that prompted many Caribbean people to uproot from their homes on the islands and move to the England in the post-war era. For some of them, these dreams of a new life became a reality, but they were experienced differently across genders and generations.
Moon on a Rainbow Shawl
Moon on a Rainbow Shawl by Errol John depicts the vibrant, cosmopolitan of Port-of-Spain, Trinidad - a world that is as harsh as it is filled with colour and warmth. Esther - if yer have yer head screw on right - No matter where yer go - One night - some time - Yer reach up - yer touch that moon. For the teeming populace of Old Mack's cacophonous yard in Port-of-Spain, Trinidad, it's a cheek by jowl existence lived out on a sweltering public stage. Snatches of calypso compete with hymn tunes, drums and street cries as neighbours drink, brawl, pass judgment, make love, look out for each other and crave a better life. But Ephraim is no dreamer and nothing, not even the seductive Rosa, is going...
Jet
The weekly source of African American political and entertainment news.
Derek Walcott: The Journeyman Years. Volume 2: Performing Arts
During the same period in which Derek Walcott was pouring immense physical, emotional, and logistical resources into the foundation of a viable first-rate West Indian theatre company and continuing to write his inimitable poetry, he was also busy writing newspaper reviews, chiefly for the Trinidad Guardian. His prodigious reviewing activity extended far beyond those areas with which one might most readily associate his interests and convictions. As Gordon Rohlehr once presciently observed, “If one wants to see a quotidian workaday Walcott, one should go back to [his] well over five hundred articles, essays and reviews on painting, cinema, calypso, carnival, drama and lite¬rature,” artic...
The Young Errol
A fascinating account of the early life of one of Australias most colorful and controversial sons. John Hammond Moore trace film star Errol Flynns turbulent career from his birth in sedate Hobart through his eccentric schooldays and his youth in Sydney and cruising the Pacific to his years as a pioneer tobacco planter in Papua and the discovery that led to Hollywood and stardom. The author comments: While his golden age in Hollywood produced wondrous swashbuckling, Errol Flynn was not really acting at all. He was merely transferring a natural style developed in Sydney, Port Moresby, Rabaul, and London to a much larger audience. Anecdotes, quotations from Flynns own diaries and from people who knew him in Australia and Papua New Guinea crowd one upon the other to underscore this truth, and to embellish this rollicking tale of a man who in the authors words: lived for half a century the sort of life adolescents dream of but men dare not attempt.
Parliamentary Papers
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