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MARAKELLUS MARAKELLUM
GolGanth, a wizard from the past, decides to bring help to a threatened galaxy. He leads Rodger Rodgers on a trail of deceit and misdirection, while gradually accomplishing his goals. His subterfuge is aided by the ego of his forced accomplice, Rodgers. Steadily solving problems using both magic and double meaning information, GolGanth works toward his target in secrecy. While seeming to fix one thing, he successfully misleads our hero in the proper direction. Several humorous setbacks are encountered, generated by misunderstanding. Despite numerous obvious clues, the (would-be) savior goes through the story in a haze of oblivion, as he misinterprets nearly everything. This is credited to his sarcastic, flippant attitude, which he uses as a tool to lighten the seriousness of the situation.
Temporary and Child Marriages in Iran and Afghanistan
This book discusses the popularity of temporary and child marriages in Iran and Afghanistan and explores their historical background and the reasons why they still persist today. Further, it offers readers insights into the emotional and psychological violence that the women who have been subjected to these practices experience. The respective contributions address the persistence of these traditions, their ramifications for the wellbeing of women and the development of societies and human relations. Taken together, they offer an excellent academic tool for students, academics and researchers studying the anthropology and sociology of kinship, and family in the Middle East.
Cultural Memory and Early Civilization
Pt. 1. The theoretical basis -- Memory culture -- Written culture -- Cultural identity and political imagination -- pt. 2. Case studies -- Egypt -- Israel and the invention of religion -- The birth of history from the spirit of the law -- Greece and disciplined thinking -- Cultural memory : a summary.
Mijn vrouw heet Petra
Iedereen wil met me naar de kroeg. Niemand wil met me naar bed. (Peter Pruiser vat zijn leven even samen.) Zeven redenen om deze roman niet te lezen: * Ik ken die hele Hans van der Beek niet * Ik ben zelf een kale, dikke brildrager en kan daar niet om lachen * Ik rijd zelf Ford Mondeo * Ik wacht wel op de film * Ik ben zelf docent op een middelbare school en kan daar niet om lachen * Ik heb maar een vaag idee wat er omgaat in mannenhoofden en wil dat graag zo houden * Ik vind het gênant voor die arme Chantal Janzen
Bibliotheca judaica
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