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The Trial of Levi Weeks
In 1799, the murder of a young woman caused a terrific stir in the city of New York. The victim was Gulielma Sands who, on December 22, left the boardinghouse where she lived, never to return. Her bruised body was found several days later in the Manhattan Well, a twenty-minute carriage ride from her home. The accused was Levi Weeks, a fellow boarder who, Miss Sands had claimed, was to marry her the night she disappeared. Two of the attorneys for the defense were Aaron Burr and Alexander Hamilton, friends of Ezra Weeks, a prominent builder and brother of the accused. The citizens of New York raised an enormous hue and cry over the murder: the body was displayed in the streets before the trail...
The Trial of Levi Weeks
In 1799, the murder of a young woman caused a terrific stir in the city of New York. The victim was Gulielma Sands who, on December 22, left the boardinghouse where she lived, never to return. Her bruised body was found several days later in the Manhattan Well, a twenty-minute carriage ride from her home. The accused was Levi Weeks, a fellow boarder who, Miss Sands had claimed, was to marry her the night she disappeared. Two of the attorneys for the defense were Aaron Burr and Alexander Hamilton, friends of Ezra Weeks, a prominent builder and brother of the accused. The citizens of New York raised an enormous hue and cry over the murder: the body was displayed in the streets before the trail...
Self-evident Truths
From a distinguished historian, a detailed and compelling examination of how the early Republic struggled with the idea that "all men are created equal" How did Americans in the generations following the Declaration of Independence translate its lofty ideals into practice? In this broadly synthetic work, distinguished historian Richard Brown shows that despite its founding statement that "all men are created equal," the early Republic struggled with every form of social inequality. While people paid homage to the ideal of equal rights, this ideal came up against entrenched social and political practices and beliefs. Brown illustrates how the ideal was tested in struggles over race and ethnicity, religious freedom, gender and social class, voting rights and citizenship. He shows how high principles fared in criminal trials and divorce cases when minorities, women, and people from different social classes faced judgment. This book offers a much-needed exploration of the ways revolutionary political ideas penetrated popular thinking and everyday practice.
Perfect Victims
The Black Dahlia case. The Manson murders. The Zodiac Killer. The slaughter of JonBenet Ramsay. These killings, among many others in Bill James's astonishing chronicle of the history of American crime, have all created a frenzy of interest and speculation about human nature. And while many of us choose to avoid the news about gruesome murders, Bill James contends that these crime stories, which create such frenzy (and have throughout history), are as important to understanding our society, culture and history as anything we may consider to be a more 'serious' subject. The topic envelopes our society so completely, we almost forget about it. James looks at the ways in which society has changed by examining the development of how crimes have been committed, investigated and prosecuted. The booktakes on such issues as the rise of an organized police force, the controversial use of the death penalty, the introduction of evidence such as fingerprinting and DNA, and the unexpected ways in which the most shocking crimes have shaped the criminal justice system and our perceptions of violence.
Popular Crime
Originally published: 2011. With new addendum.
Art in Mississippi, 1720-1980
In Art in Mississippi Patti Carr Black focuses on several hundred significant artists and showcases in full color the work of more than two hundred. Nationally acclaimed native Mississippians are hereGeorge Ohr, Walter Anderson, Marie Hull, Theora Hamblett, William Dunlap, Sam Gilliam, William Hollingsworth, Jr., Karl Wolfe, Mildred Nungester Wolfe, John McCrady, Ed McGowin, James Seawright, and many others. Prominent artists who lived or worked in the state for a significant period of time are included as well - John James Audubon, Louis Comfort Tiffany, George Caleb Bingham, William Aiken Walker, and more. Black explores how art reflects the land and how modes of living and values dictated by Mississippi's changing topography created a variety of art forms. She demonstrates the influence of Mississippi's diverse cultures upon the art and shows how it has responded in many forms - painting, architecture, sculpture, fine crafts - to the changing aesthetics of national art movements.
The Historical Legends of Natchez
The Historical Legends of Natchez By: Harold C. Burkett Explore the rich world of the Natchez tribes, their culture, their practices, and their history with colonials in this academic history of Natchez, Mississippi. Learn all about the many stories and legends, some fact and some fiction, of one of the most unique historical cities in the US. You'll hear all about the historically accurate accounts of famous legends and tales like the true origins of the Bowie knife and the first murder case in the US.
Water for Gotham
Water for Gotham tells the spirited story of New York's evolution as a great city by examining its struggle for that vital and basic element--clean water. Drawing on primary sources, personal narratives, and anecdotes, Gerard Koeppel demonstrates how quickly the shallow wells of Dutch New Amsterdam were overwhelmed, leaving the English and American city beleaguered by filth, epidemics, and fires. This situation changed only when an outside water source was finally secured in 1842--the Croton Aqueduct, a model for urban water supplies in the United States. As the fertile wilderness enjoyed by the first Europeans in Manhattan vanishes and the magnitude of New York's water problem grows, the re...
The Lawyer's Conscience
In 1776, Thomas Paine declared the end of royal rule in the United States. Instead, “law is king,” for the people rule themselves. Paine’s declaration is the dominant American understanding of how political power is exercised. In making law king, American lawyers became integral to the exercise of political power, so integral to law that legal ethics philosopher David Luban concluded, “lawyers are the law.” American lawyers have defended the exercise of this power from the Revolution to the present by arguing their work is channeled by the profession’s standards of ethical behavior. Those standards demand that lawyers serve the public interest and the interests of their paying clients before themselves. The duties owed both to the public and to clients meant lawyers were in the marketplace selling their services, but not of the marketplace. This is the story of power and the limits of ethical constraints to ensure such power is properly wielded. The Lawyer’s Conscience is the first book examining the history of American lawyer ethics, ranging from the mid-eighteenth century to the “professionalism” crisis facing lawyers today.
