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The Hidden History of Capoeira
Capoeira, a Brazilian battle dance and national sport, has become popular all over the world. First brought to Brazil by African slaves and first documented in the late eighteenth century, capoeira has undergone many transformations as it has diffused throughout Brazilian society and beyond, taking on a multiplicity of meanings for those who participate in it and for the societies in which it is practiced. In this book, Maya Talmon-Chvaicer combines cultural history with anthropological research to offer an in-depth study of the development and meaning of capoeira, starting with the African cultures in which it originated and continuing up to the present day. Using a wealth of primary source...
The World of Spirits and Ancestors in the Art of Western Sub-Saharan Africa
The World of Spirits and Ancestors in the Art of Western Sub-Saharan Africa illustrates for the first time a collection of African Sculpture at the Museum of Texas Tech University in Lubbock, Texas. The masks and figurative carvings from the late nineteenth century to the mid-twentieth century are from two sources: Ambassador and Mrs. Julius Walker's gift to ICASALS (International Center for Arid and Semiarid Land Studies), now on permanent loan to the Museum, and the Elliot Howard Collection. Howard, an artist and authority on antiques, chose examples of sculpture for their "variety and aesthetic appeal". His hope was that the pieces he assembled would provide new discoveries for those unac...
The Drum
In The Drum: A History, drummer, instructor, and blogger Matt Dean details the earliest evidence of the drum from all regions of the world, looking at cave paintings, statues, temple reliefs, burial remains, even existing relics of actual drums that have survived for thousands of years. Highlighting the different uses and customs associated with drumming, Dean examines how the drum developed across many cultures and over thousands of years before it became the instrument we know today. A celebration of this remarkable instrument, The Drum explores how war, politics, trade routes, and religion influenced the instrument's development. Bringing its history to the present, Dean considers the mod...
Choreographies of African Identities
Choreographies of African Identities traces interconnected interpretative frameworks around and about the National Ballet of Senegal. Using the metaphor of a dancing circle Castaldi's arguments cover the full spectrum of performance, from production to circulation and reception. Castaldi first situates the reader in a North American theater, focusing on the relationship between dancers and audiences as that between black performers and white spectators. She then examines the work of the National Ballet in relation to Léopold Sédar Senghor's Négritude ideology and cultural politics. Finally, the author addresses the circulation of dances in the streets, discotheques, and courtyards of Dakar, drawing attention to women dancers' occupation of the urban landscape.
Cumbia!
Cumbia is a musical form that originated in northern Colombia and then spread throughout Latin America and wherever Latin Americans travel and settle. It has become one of the most popular musical genre in the Americas. Its popularity is largely due to its stylistic flexibility. Cumbia absorbs and mixes with the local musical styles it encounters. Known for its appeal to workers, the music takes on different styles and meanings from place to place, and even, as the contributors to this collection show, from person to person. Cumbia is a different music among the working classes of northern Mexico, Latin American immigrants in New York City, Andean migrants to Lima, and upper-class Colombians...
Die Paradoxie der Maske
Richard Weihe untersucht die kulturgeschichtlichen Metamorphosen der Maske und schlägt einen weiten Bogen vom antiken Maskentheater bis zur Commedia dell'arte, von Cicero bis zu Machiavelli, Lavater, Plessner und gegenwärtigen Tendenzen. Während die Maske als Gesicht und Person (griech. "prósopon" in der Doppelbedeutung von Gesicht und Maske) in der Antike für die paradoxe Einheit des Verschiedenen stand, scheint die Gesellschaft heute diesem Konzept entgegenzuarbeiten. Im Zeichen von Körperdesign und Gentechnologie wird die Maske in die organische Struktur des Gesichts selbst inkorporiert. Damit wird die Differenz von Natur und Kultur tendenziell obsolet, und die Maske operiert nicht mehr als Zeichen dieser Differenz.
Catalog of the Gerald K. Stone Collection of Judaica
Gerald K. Stone has collected books about Canadian Jewry since the early 1980s. This volume is a descriptive catalog of his Judaica collection, comprising nearly 6,000 paper or electronic documentary resources in English, French, Yiddish, and Hebrew. Logically organized, indexed, and selectively annotated, the catalog is broad in scope, covering Jewish Canadian history, biography, religion, literature, the Holocaust, antisemitism, Israel and the Middle East, and more. An introduction by Richard Menkis discusses the significance of the Catalog and collecting for the study of the Jewish experience in Canada. An informative bibliographical resource, this book will be of interest to scholars and students of Canadian and North American Jewish studies.
Percussive Notes
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World Encyclopedia of Contemporary Theatre Volume 4: The Arab World
One of the first internationally published overviews of theatrical activity across the Arab World. Includes 160,000 words and over 125 photographs from 22 different Arab countries from Africa to the Middle East.
