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Journey Into Other Worlds
Journey into Other Worlds: Discoveries at the Boundary of Russia and Mongolia is an account of author Esther Jacobson-Tepfer's intellectual journey from a youthful fascination with Chinese landscape poetry to decades of study and field work in the Altai Mountains at the boundary between Russia and Mongolia. In the process of their inquiry, the author and her husband, photographer Gary Tepfer, had a rare opportunity to closely observe the people who still embrace a traditional herding way of life in remote Asia.
The Life of Two Valleys in the Bronze Age
The rock art of northwestern Mongolia preserves vital documentation of prehistoric life in its transition from a hunting-foraging economy to pastoralism and finally, with the adoption of horse riding, to full mounted nomadism. This pictorial record is most abundant within two long river valleys: those of Tsagaan Gol and Baga Oigor Gol. Their location in the high Altai Mountains marks the nexus between North and Central Asia, taiga and steppe, and the center of fundamental economic and social changes from the end of the Ice Age through the Bronze and early Iron Ages. The author and her colleagues were the first to identify, record, and map these valleys and their archives of imagery. By situating this pictorial record within a shifting paleoenvironment and by analyzing in detail subject matter and style, the author has been able to recreate the ancient transformation of culture in a remote and magnificent land.
The Hunter, the Stag, and the Mother of Animals
The ancient landscape of North Asia gave rise to a mythic narrative of birth, death, and transformation that reflected the hardship of life for ancient nomadic hunters and herders. Of the central protagonists, we tend to privilege the hero hunter of the Bronze Age and his re-incarnation as a warrior in the Iron Age. But before him and, in a sense, behind him was a female power, half animal, half human. From her came permission to hunt the animals of the taiga, and by her they were replenished. She was, in other words, the source of the hunter's success. The stag was a latecomer to this tale, a complex symbol of death and transformation embedded in what ultimately became a struggle for priori...
Monumental Archaeology in the Mongolian Altai
This volume analyses monuments in the Altai Mountains of Mongolia from the early Bronze Age through the Turkic Period. It focuses on the cultural significance of location and viewshed and on the monuments' indications of individual intention and collective memory.
The Deer Goddess of Ancient Siberia
Central to this study is the image of the deer within the iconography of the Early Nomads of South Siberia. By examining the symbolic structures revealed in the art and archaeology of the Early Nomads, the author challenges existing theories regarding Early Nomadic cosmology. The reconstruction of meanings embedded in the deer image carries the investigation back to rock carvings, paintings, and monolithic stelae of South Siberia and northern Central Asia, from the Neolithic period down through the early Iron Age. The succession of images dominating that artistic tradition is considered against the background of cultures — including the Baykal Neolithic Afanasevo, Okunev, Andronovo, and Karasuk — evolving from a hunting-fishing dependency to a dependency on livestock. The archaic mythic traditions of specific Siberian groups are also found to lend critical detail to the changing symbolic systems of South Siberia.
The Art of the Scythians
This volume offers a detailed consideration of the style, technology, and iconographic implications of the art of the Scythians, organized by object typology and chronology, and considered against a broader historical, expressive, and technical background; that of the Scythians' Eurasian sources, of earlier and contemporary West Asian cultures, and of the Hellenic culture which emerged beside that of the Scythians in the northern littoral of the Black Sea.
The Anatomy of Deep Time
Petroglyphic rock art in three valleys of Mongolia's Altai Mountains reveals the anatomy of deep time at the boundary between Central and North Asia. Inscribed over a period of twelve millennia, its subject matter, styles, and manner of execution reflect the constraints of changing geology, climate, and vegetation. These valleys were created and shaped by ancient glaciers. Analysis of their physical environment, projected from the deep past to the present, begins to explain the rhythm of cultural manifestations: where rock art appears, when it disappears, and why. The material and this remote arena offer an ideal laboratory to study the intersection of prehistoric culture and paleoenvironment.
The Archaeology of Mobility
There have been edited books on the archaeology of nomadism in various regions, and there have been individual archaeological and anthropological monographs, but nothing with the kind of coverage provided in this volume. Its strength and importance lies in the fact that it brings together a worldwide collection of studies of the archaeology of mobility. This book provides a ready-made reference to this worldwide phenomenon and is unique in that it tries to redefine pastoralism within a larger context by the term mobility. It presents many new ideas and thoughtful approaches, especially in the Central Asian region.
The Hunter, the Stag, and the Mother of Animals
Offers a stunning archaeological and art historical exploration of the changing traditions of belief in pre-Bronze and Bronze Age North Asia
Monumental Archaeology in the Mongolian Altai
The stone monuments of Mongolia’s Altai Mountains trace the web of ancient cultures across that remote land. This study breaks new ground by seeking their cultural significance from within their physical locations and viewsheds. It is the first study to join the mute stone monuments to the vivid petroglyphic rock art of that region. In that and in the examination of a monument’s individualizing details, I seek to recover the impulse of original intention, the way in which monument and location fix cultural memory, and the way in which memory finally gives way to the cultural development of myth.
