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A Sharp Cut
  • Language: en
  • Pages: 102

A Sharp Cut

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

None

The Dedalus Book of Estonian Literature
  • Language: en

The Dedalus Book of Estonian Literature

The Dedalus Book of Estonian Literature offers a wide-ranging selection of fiction from the end of the nineteenth century until the present day, including work by Estonia's classic and most important contemporary authors. This is the most important selection of Estonian fiction to have appeared in English and will be essential reading for anyone wanting to gain an idea of Estonian Literature and for the many American visitors to Estonia. Estonia is one of the smallest and least populated countries in the European Union. It has a population of about 1.4 million. For most of its history it has been part of its larger neighbours, Sweden and Russia. It regained its independence from the Soviet U...

Estonian Literature
  • Language: en
  • Pages: 428

Estonian Literature

  • Type: Book
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  • Published: 1987
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  • Publisher: Unknown

None

Estonian Short Stories
  • Language: en
  • Pages: 285

Estonian Short Stories

This anthology of contemporary Estonian short fiction meets an important need. Although Estonian writers have been known as bold and exciting innovators testing the bounds of Soviet literary doctrine, much of that reputation is based on hearsay. This collection charts the return of modernism to Estonian prose fiction at the end of the sixties and the beginning of the seventies and its subsequent evolution during the following two decades. It also introduces English-language readers to a vigorous and original contemporary literature.

Baltic Belles
  • Language: en
  • Pages: 167

Baltic Belles

This anthology presents readers with a broad selection of fiction written between the late 19th century and today. The collection opens with the early realist Elisabeth Aspe, who described both village life and urban fear during the final decades of the 19th century. Early 20th-century works by female writers often discussed the young creative individual’s encounters in the transformed urbanised world, some of the most outstanding examples of which are by the great Betti Alver. After World War II, Estonian writing bore the unmistakable signs of Soviet censorship. Nevertheless, Viivi Luik’s momentous novel The Seventh Spring of Peace managed to avoid suppression, and the wonderfully unique Asta Põldmäe seized her opportunity to write. Very strong authors such as Eeva Park, Maarja Kangro and Maimu Berg flourished with the return of freedom of expression in the late 20th century, and continue to do so today. They represent the best of Estonian short-story writing, handling social topics very sharply and suggestively, and scrutinising the country’s soul in a highly personal manner.

Estonian Literary Reader
  • Language: en
  • Pages: 402

Estonian Literary Reader

  • Type: Book
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  • Published: 2017-09-20
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  • Publisher: Routledge

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Novels, Histories, Novel Nations
  • Language: en
  • Pages: 346

Novels, Histories, Novel Nations

This volume addresses the prominent, and in many ways highly similar, role that historical fiction has played in the formation of the two neighbouring 'young nations', Finland and Estonia. It gives a multi-sided overview of the function of the historical novel during different periods of Finnish and Estonian history from the 1800s until the present day, and it provides detailed close-readings of selected authors and literary trends in their social, political and cultural contexts. This book addresses nineteenth-century 'fictional foundations', historical fiction of the new nation states in the interwar period as well as post-Second World War Soviet Estonian novels and modern historiographic metafiction.

The Poet and the Idiot
  • Language: en
  • Pages: 353

The Poet and the Idiot

Estonian literature in its written form is little more than a century old. As Estonia was part of the Russian Empire, then of the Soviet Union, it is something of a miracle that the powerful presence of the Baltic Germans, the periods of Russification, and other more subtle forms of cultural pressure, have not eradicated Estonian as a serious literary language. One of the central figures to credit for this was Friedebert Tuglas. The nine stories, and the essay, featured here were written during the World War One, or in the first years of Estonian independence in the early 1920s. They reflect the troubled spirit of the times, but exhibit the influence of a wide selection of writers, ranging from O. Wilde and M. Gorky, to F. Nietzsche and Edgar Allan Poe. The subject matter of Tuglas' stories represented here ranges from a starving prisoner, via a luckless pharmacist's hallucinations from childhood, a wandering soldier who encounters weird spirits, to a young man sitting in a park, accosted by a devilish lunatic who wants to introduce a new brand of devil worship to the world.

Estonian Life Stories
  • Language: en
  • Pages: 554

Estonian Life Stories

This anthology contains 25 selected life stories collected from Estonians who lived through the tribulations of the 20 century, and describe the travails of ordinary people under numerous regimes. The autobiographical accounts provide authentic perspectives on events of this period, where time is placed in the context of life-spans, and subjects grounded in personal experience. Most of the life stories reveal sufferings under foreign (Russian) oppression.

An Introduction to Estonian Literature
  • Language: en

An Introduction to Estonian Literature

Hilary Bird?s Introduction to Estonian Literature is truly a pioneering work, and a welcome contribution for anyone with an interest in the lively and flourishing literature of this small but culturally vibrant country. Ms. Bird?s coverage is not merely of the modern writers, some of whose work is available in English translation, but also of literature in the Estonian language from the earliest times, which has been a closed book up to now to anyone without a knowledge of the language."0- Christopher Moseley, School of Slavonic and East European Studies, University College London.