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George Gershwin
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s p...
Game Over?
Modern science informs us about the end of the universe: "game over" is the message which lies ahead of our world. Christian theology, on the other hand, sees in the end not the cessation of all life, but rather an invitation to play again, in God's presence. Is there a way to articulate together such vastly different claims? Eschatology is a theological topic which merits being considered from several different angles. This book seeks to do this by gathering contributions from esteemed and fresh voices from the fields of biblical exegesis, history, systematic theology, philosophy, and ethics. How can we make sense, today, of Jesus' (and the New Testament's) eschatological message? How did h...
"What is Literature?" and Other Essays
What is Literature? challenges anyone who writes as if literature could be extricated from history or society. But Sartre does more than indict. He offers a definitive statement about the phenomenology of reading, and he goes on to provide a dashing example of how to write a history of literature that takes ideology and institutions into account.
Crusoes and Other Castaways in Modern French Literature
Crusoes and Other Castaways in Modern French Literature: Solitary Adventures by Joseph Acquisto examines the representation of Robinson Crusoe and other castaways in both popular and serious French literature for both children and adults from the early nineteenth to the twenty-first century. It examines not only novels but lyric poetry, providing not just a literary history but interpretation of a wide range of canonical and non-canonical authors.
French XX Bibliography
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.
300 Years of Robinsonades
Daniel Defoe’s Robinson Crusoe (1719) has had an enduring and widespread impact, becoming a universal myth. This volume offers various approaches to the rewriting of the desert(ed) island myth of the novel. Its originality comes from the time range covered, as its focus ranges from medieval proto-Robinsonades to twentieth-century cinematic adaptations. It begins with an exploration of Robinsonades written before Robinson Crusoe, prompting discussion about the label “Robinsonade” and why critics have seen Defoe’s narrative as the hypotext of the genre. Robinson Crusoe can only be understood in the context of the imperial expansion of Britain in the 18th century and the rise of capital...
Methods for the Study of Literature as Cultural Memory
In this volume collaborators from different universities all over the world explore a wide variety of methods for the study of literature as cultural memory. In literature, the past may be (re)constructed in various ways and in very diverse forms. This immediately raises the question as to how one can describe and inventory the various discourses and metadiscourses of historical representation. In what sense can the rhetoric of literary historiography itself contribute to literature's function as cultural memory? Which methods of analysis are most appropriate for describing specific text types or genres as cultural memory? What have been the pragmatic uses and the ethical merits of the stability and continuity that literature has often provided for European, American, Asian and African cultures? What are the dilemmas they create for our teaching at the end of the twentieth century? To all these questions, a wide range of scholars here tries to find answers. In thorough and highly original contributions, they not only address theoretical problems, but also engage themselves in practical analyses of specific works.
Existentialist Thinkers and Ethics
Twentieth-century existential thinkers, critical of traditional, overly rationalistic approaches to ethics, sought to provide a better account of what it means to be human in the world. They articulated ethical views that respected the individual yet were fundamentally concerned with the Other and the ethical value of an authentic life. Their philosophy has often been dismissed as unsuccessful. Through examination of the thought of eight key figures in existentialism - Kierkegaard, Nietzsche, Heidegger, Arendt, Camus, Sartre, Beauvoir, and Merleau-Ponty - this collection demonstrates that such dismissals are unfounded. Contributors tackle the difficulties raised by an existentialist ethics and show how each thinker successfully elaborated an ethics that provides a viable alternative to traditional ethical views.
