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The Life of Mohammad, the Prophet of Allah
  • Language: en
  • Pages: 330

The Life of Mohammad, the Prophet of Allah

  • Type: Book
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  • Published: 2022-08-01
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  • Publisher: DigiCat

DigiCat Publishing presents to you this special edition of "The Life of Mohammad, the Prophet of Allah" by Etienne Dinet, Sliman Ben Ibrahim. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

La vie et l'œuvre de Etienne Dinet
  • Language: fr

La vie et l'œuvre de Etienne Dinet

  • Type: Book
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  • Published: 1984
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  • Publisher: Unknown

None

La femme dans la peinture orientaliste
  • Language: fr
  • Pages: 275

La femme dans la peinture orientaliste

None

Orientalist Aesthetics
  • Language: en
  • Pages: 394

Orientalist Aesthetics

Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of ...

The Orientalists
  • Language: en
  • Pages: 196

The Orientalists

At the end of the nineteenth century, numerous painters succumbed to the charms of the Orient. Travel to distant lands was easier, and artists brought back voluptuous images filled with sun and colour. This title studies almost 150 painters, from Delacroix to Ziem. It features many lesser known masters and is suitable for collectors.

Islamophobia
  • Language: en
  • Pages: 232

Islamophobia

Despite numerous sources suggesting that Islamophobia is becoming both increasingly prevalent and societally acceptable in the contemporary world, there remains a lack of textual sources that consider either the phenomenon itself, or its manifestations and consequences. Chris Allen traces the historical evolution of Islamophobia to the present day, before trying to understand and comprehend a wider conception of the phenomenon. A series of investigations thematically consider the role of the media, the contemporary positioning of Muslims throughout the world, and whether Islamophobia can be seen to be a continuum of historical anti-Muslimism, or whether it is an entirely modern concept.

Orientalism's Interlocutors
  • Language: en
  • Pages: 248

Orientalism's Interlocutors

  • Categories: Art

DIVA collection of essays that develop ways of doing postcolonial studies in art history./div

Women as Portrayed in Orientalist Painting
  • Language: en
  • Pages: 198

Women as Portrayed in Orientalist Painting

Of all the customs and traditions concerning the lives of oriental women, the harem is probably the most familiar and least understood in the West. Over 150 orientalist painters, both prestigious and less known, are brought together in this book as individual monographs.

History's Place
  • Language: en
  • Pages: 360

History's Place

History's Place explores nostalgia as one of the defining aspects of the relationship between France and North Africa. Dr. Seth Graebner argues that France's most important colony developed a historical consciousness through literature, and that post-colonial writers revised it while retaining its dominant effect.

Les deux vies d'Etienne Dinet, peintre en Islam
  • Language: fr
  • Pages: 338

Les deux vies d'Etienne Dinet, peintre en Islam

  • Type: Book
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  • Published: 1997
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  • Publisher: Unknown

La vie d'Etienne Dinet, peintre orientaliste mort à Paris en 1929, est abordée sous l'angle de sa carrière au temps colonial, puis de sa réappropriation par la jeune nation algérienne.