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Lela and Joe
Here I Stand gives the reader a glimpse into the life of a career police officer as recalled by Robert Fletcher. As Fletcher is standing at the head of the conference table in the Organized Crime Bureau, being honored for thirty years of dedicated service, memories come flooding back. Here I Stand presents these memories, good and bad, as they happened. This true account starts with the author being a teenager in trouble with the law. After being caught in the midst of a crime, he was given a second chance and became a straight arrow. Later, the Phoenix Police Department took a chance on him and an outstanding career began. From the very beginning his career was unique. About half way throug...
The Yale Art + Architecture Building
The Building Blocks series presents icons of modern architecture as interpreted by the most significant architectural photographers of our time. The first four volumes feature the work of Ezra Stoller, whose photography has defined the way postwar architecture has been viewed by architects, historians, and the public at large. The buildings inaugurating this series-Eero Saarinen's TWA Terminal, Wallace Harrison's United Nations complex, Le Corbusier's Chapel at Ronchamp, and Paul Rudolph's Yale Art and Architecture Building-all have bold sculptural presences ideally suited to Stoller's unique vision. Each cloth-bound book in the series contains at least 80 pages of rich duotone images. Taken...
The TWA Terminal
"Time and expedience have taken tolls on the building. As it has been adapted to the needs of contemporary air travel, the terminal has fallen into disrepair and lost much of the grandeur that made it a symbol of all that was modern and new. Ezra Stoller's sharp-eyed photographs offer a return trip to the terminal at the time of its opening, when dapper travelers moved smartly through its majestic spaces."--BOOK JACKET.
Park and Recreation Structures
Princeton Architectural Press's classic reprint series was established in 1981 to make rare volumes on architecture available to a wider audience. The books' beautiful reproductions and finest quality printing and binding match those of the originals, while their 9-by-12-inch format makes them accessible and affordable. New introductions bring a modern voice to these texts, updating them to become invaluable contemporary resources.
Sidewalk Critic
Lewis Mumford (1895-1990) is best known for his Sky Line column in the New Yorker where he served as architecture critic for over 30 years. A man of letters and part of Manhattan's intellectual elite, Mumford wrote more than 20 books over 6 decades, bridging the seemingly disparate disciplines of architecture, technology, literary criticism, biography, sociology and philosophy.
Design for Victory
The poster - inexpensive, colorful, and immediate - was an ideal medium for delivering messages about Americans' duties on the home front during World War II. Design for Victory presents more than 150 of these stunning images - many never reproduced since their first issue - culled from the collections of the National Museum of American History, Smithsonian Institution. William L. Bird, Jr. and Harry R. Rubenstein delve beneath the surface of these colorful graphics, telling the stories behind their production and revealing how posters fulfilled the goals and needs of their creators. The authors describe the history of how specific posters were conceived and received, focusing on the workings of the wartime advertising profession and demonstrating how posters often reflected uneasy relations between labor and management.
Louis I. Kahn's Trenton Jewish Community Center
The Building Studies series examines important buildings through original documents, detailed text, photography, and drawings in an affordable format.
Robert Motherwell: the Complete Prints 1940-1991
A study of the prints of Robert Motherwell, covering the years 1943 to 1991. This fourth edition is based on research and scholarship. In addition to cataloguing more than 500 prints in virtually every medium, it includes an essay on Motherwell's print-making, an illustrated chronology, concordance, bibliography and exhibition history. 500 colour & 100 b/w illustrations
